Original 1964 Lithograph "Composition" by Paul Jenkins

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Original lithograph from "Prints from the Mourlot Press", a catalog of an exhibition sponsored by the French Embassy and circulated … Read more Original lithograph from "Prints from the Mourlot Press", a catalog of an exhibition sponsored by the French Embassy and circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution, in 1964-65, with original lithographs by Chagall, Picasso, Miro, Beaudin, Esteve, Matisse, Guiramand, Florsheim, Cathelin, Brasilier, Brianchon, Cocteau, Minaux, Jenkins, Calder, Kito, Giacometti, and Manessier. Printed by the Mourlot Press, Paris, October 1964. Print size: 10 x 7-3/8 inches on Velin d’Arches paper. Verso titled. Mint condition new old stock from our complete copy of "Prints from the Mourlot Press". Colophon pages shown for provenance purposes and not included.

Per S. Dillon Ripley, Secretary, Smithsonian Institute:

“Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot’s discipline and craft and can truly be called an ideal collaboration between artist and artisan... The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation.”

Paul Jenkins (1923–2012) was an American abstract painter associated with Abstract Expressionism and Lyrical Abstraction, best known for his radiant use of color and fluid painting techniques. Born in Kansas City, Missouri, he studied at the Kansas City Art Institute, then after World War II at the Art Students League of New York. Jenkins moved to Paris in the 1950s, becoming part of the international art scene. Known for his technique of “controlled chance”, pouring paint directly onto the canvas and guiding its flow with tilts, gestures, or tools, he was a bridge between American Abstract Expressionism and European Lyrical Abstraction. See less