Details
Description
Paul Swan (1883–1972)
Portrait of a Man (1911)
Graphite on paper | Signed
About This Work:
This intimate 1911 drawing …
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Paul Swan (1883–1972)
Portrait of a Man (1911)
Graphite on paper | Signed
About This Work:
This intimate 1911 drawing bears the inscription "To Mr. Marlatt" in Swan's hand, suggesting a personal connection to the subject. The sensitive graphite rendering shows Swan's elegant draftsmanship, blending Symbolist refinement with Art Nouveau fluidity. The unusually crafted frame—with hand-carved wood and irregular joinery—may be the artist's own work. Signed and dated at the bottom in graphite.
Details:
- Medium: Graphite on laid paper
-Inscription: Dedicated "To Mr. Marlatt" in period graphite (lower margin)
- Dimensions: 17.25 × 15 in (43.8 × 38 cm) sight
- Frame: Period Art Nouveau carved wood, likely original
Condition:
- Minor corner tear (right edge)
- Adhesive marks at upper mat corners
- Unrestored patina throughout
Artist Biography:
Paul Swan was a multifaceted American artist—dancer, painter, sculptor, and actor—often called "the most beautiful man in the world" during his heyday. A true Renaissance figure of the early 20th century, he:
- Trained at the Art Institute of Chicago and Académie Julian in Paris
- Became famous for his interpretive Greek dances (performed until age 82)
- Created portraits of cultural figures like Isadora Duncan and Vaslav Nijinsky
- Lived openly gay in an intolerant era, making his work particularly significant in queer art history
- Exhibited at the 1913 Armory Show alongside modern masters
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- Dimensions
- 15ʺW × 1ʺD × 17.25ʺH
- Styles
- Art Nouveau
- Art Subjects
- Figure
- Still Life
- Frame Type
- Framed
- Period
- 1910s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Graphite
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- Minor corner tear (right edge) . Adhesive marks at upper mat corners. Unrestored patina throughout Minor corner tear (right edge) . Adhesive marks at upper mat corners. Unrestored patina throughout less
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