Medieval Flora and Birds Gothic Illuminated Ornament Print, 1869, Paper

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Medieval decorative flora & birds – gothic illuminated ornament, plate xlix, c.1869 this exquisite chromolithograph, plate xlix from *l'ornement polychrome*, … Read more Medieval decorative flora & birds – gothic illuminated ornament, plate xlix, c.1869 this exquisite chromolithograph, plate xlix from *l'ornement polychrome*, showcases a curated collection of floral and avian motifs from medieval decorative arts. Each panel highlights a different style of illuminated ornamentation found in manuscripts, textiles, and architectural embellishments during the gothic period. At the center, a striking composition of intertwined acanthus leaves reveals a lush forest of flowering vines, pods, and delicate songbirds set against a rich lapis-blue background. Surrounding this are various panels of repeating patterns—floral diamonds, trailing vines, and stylized blossoms—all exemplifying the medieval ideal of nature as divine order. A border panel on the right features a long vertical strip of floral scrollwork, from which a heron-like bird gracefully peers. Other panels display jewel-like rosettes and heraldic symbols, suggesting their origin in manuscript illumination and ecclesiastical design. Notably, the section with red and gold backgrounds filled with intricate floral patterning illustrates the color palette often used in medieval fabric and wall decoration. Lithographed by durin and published by firmin-didot et cie, this plate forms part of albert racinet's landmark 19th-century publication—a sourcebook that celebrated historical design across cultures and centuries. Racinet’s work helped preserve medieval aesthetics and inspired countless revivalist movements in decorative arts. A compelling work for collectors, historians, or designers seeking gothic revival inspiration, this plate radiates the intricacy and reverence for nature characteristic of medieval ornamentation. Condition: excellent. Crisp impression, bright colors, minor toning to margins only. No stains or damage visible. Framing tips: best presented in a walnut or black frame with a linen or off-white mat. Consider a narrow inner gold rim to echo the jeweled motifs. The piece benefits from generous matting to give each decorative panel breathing space. Technique: chromolithograph maker: firmin-didot, paris, after albert racinet, c.1869 See less