1940s Seiler, Willy. “Mama-San Peddling Flowers” Original Japanese Hand-Colored Etching, Framed

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A lovely artwork depicting a realistic, endearing scene of a mother selling flowers in a cart. Soft ground copperplate etching, … Read more A lovely artwork depicting a realistic, endearing scene of a mother selling flowers in a cart. Soft ground copperplate etching, hand-colored. Wooden frame with art glass.

About the Artist:
Willy Otto Oskar Seiler (1903-1985)
Willy Seiler remains a celebrated artist among collectors of Japanese prints, yet details about his life remain elusive. Born in 1903 in Dresden, he commenced his artistic education and continued his studies in art in Munich. Departing from Germany in 1928, Seiler embarked on what seemed to be a perpetual journey across various European countries, potentially including visits to America and Asia. Some sources suggest that he might have encountered Japan before World War II.

Throughout his extensive travels, Willy Seiler seemingly sustained himself through his artistic endeavors.

Following the conclusion of World War II, Willy Seiler found his home in Japan. In addition to producing etchings, he delved into crafting 'Japanese' folk dolls, marketing these creations to members of the American occupation forces stationed in Japan.

Moreover, Seiler took on the role of an art instructor at an American army college located in Tokyo.

According to research conducted by Darrel C. Karl, a private collector, there is speculation that Willy Seiler might have returned to Europe in the 1960s and potentially passed away in 1997 in Switzerland. However, this information remains unverified.

Willy Seiler specialized in etching as his primary printmaking technique. This preference suggests his inclination towards creating works tailored for non-Japanese audiences, specifically members of the American occupation force and other Western foreigners. Unlike artists who employed the traditional Japanese woodblock technique, Seiler, like many of his Western contemporaries in Japan such as Paul Jacoulet, didn't necessitate collaboration with a Japanese publisher for the intricate carving and printing processes.

Seiler's subject matter often catered to American clients, portraying picturesque scenes from Japan and Korea that aligned with Western perceptions of these regions. His artworks depicted charming Japanese children, serene landscapes, rural life, Japanese nudes, and farming communities. Notably, Seiler's imagery retains its appeal without appearing kitschy, even when viewed through a modern lens.

Additionally, some of Seiler's etchings were meticulously colored by hand. See less