Norman Rockwell Original Lithograph Ice Skating Hand Signed Americana 1976

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Norman Rockwell (1894-1978)
Ice Skating, from Grandpa and Me Suite
Offset lithograph print, hand signed in pencil, numbered AP E … Read more Norman Rockwell (1894-1978)
Ice Skating, from Grandpa and Me Suite
Offset lithograph print, hand signed in pencil, numbered AP E 9/10
27 x 23 in. (sight), 34.75 x 30 in. (frame).


Norman Percevel Rockwell (1894 – 1978) was an American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine in a modern folk art style over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace, and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout is Reverent and A Guiding Hand, among many others.
Rockwell was also commissioned to illustrate more than 40 books, including Tom Sawyer and Huckleberry Finn as well as painting the portraits for Presidents Eisenhower, Kennedy, Johnson, and Nixon, as well as those of foreign figures, including Gamal Abdel Nasser and Jawaharlal Nehru. His portrait subjects included Judy Garland. One of his last portraits was of Colonel Sanders in 1973. His most popular calendar works: the "Four Seasons" illustrations for Brown & Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes since 1964. He painted six images of classic Americana for Coca-Cola advertising. Illustrations for booklets, catalogs, posters (particularly movie promotions), sheet music, stamps, playing cards, and murals (including "Yankee Doodle Dandy" and "God Bless the Hills", which was completed in 1936 for the Nassau Inn in Princeton, New Jersey) rounded out Rockwell's œuvre as an illustrator. Vladimir Nabokov wrote that Rockwell's brilliant technique was put to "banal" use, and wrote in his book Pnin: "That Salvador Dali is really Norman Rockwell's twin brother kidnapped by Gypsies in babyhood".
Rockwell transferred from high school to the Chase Art School at the age of 14. He then went on to the National Academy of Design and finally to the Art Students League. There, he was taught by Thomas Fogarty, George Bridgman, and Frank Vincent DuMond; his early works were produced for St. Nicholas Magazine, the Boy Scouts of America (BSA) magazine Boys' Life, and other youth publications.
Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, People's Popular Monthly and Life magazine. Rockwell's work was exhibited at the Solomon R. Guggenheim Museum in 2001. Rockwell's Breaking Home Ties sold for $15.4 million at a 2006 Sotheby's auction. The 2013 sale of Saying Grace for $46 million (including buyer's premium) established a new record price for Rockwell. Along with Leroy Neiman, Peter Max, Charles Fazzino and James Rizzi he has straddled the line between fine and popular art.
Film director George Lucas owns Rockwell's original of "The Peach Crop", and his colleague Steven Spielberg owns a sketch of Rockwell's Triple Self-Portrait. Each of the artworks hangs in the respective filmmaker's work space. See less