Antique Edwardian Biscuit Tin from William Crawford & Sons Ltd, 1905

Details

Description

Presenting a superb example of an Edwardian period biscuit tin by the renowned ‘William Crawford & Sons Ltd.’ This tin, … Read more Presenting a superb example of an Edwardian period biscuit tin by the renowned ‘William Crawford & Sons Ltd.’ This tin, titled ‘Chums,’ is a beautifully preserved piece of early 20th-century packaging, reflecting the artistic and cultural trends of its time.

The main faces of the tin showcase charming scenes of children playing beneath Gothic arches, with the original paint still visible, particularly the vivid red hues on the two older figures. The narrower side panels feature a quaint depiction of a well and bucket, adding a touch of rustic charm to the overall design.

Dating back to around 1905, this biscuit tin firmly belongs to the Edwardian era, a time when biscuit tins were not only functional but also highly decorative. ‘William Crawford & Sons Ltd,’ established in 1856 in Leith, Scotland, was a pioneer in the biscuit industry, known for their high-quality products and innovative packaging.

This piece is in very good to excellent condition, remarkable for its age, with no structural losses or holes due to corrosion. While there is some light surface rust, it is minimal and typical for a tin of this period (please refer to the photographs).

Historical Significance:

The British biscuit tin became a staple after the Licensed Grocer’s Act of 1861 allowed groceries to be individually packaged. The development of offset lithography in 1877 enabled multicolored designs to be printed directly onto tinplate, leading to the creation of some of the most exotic and visually striking tins in the early 20th century. This piece, from just before the First World War, is a prime example of the era’s decorative packaging, reflecting popular interests and the artistry of the time.

This antique tin is not only a collectible item but also a window into the past, showcasing the intersection of functionality and design in the Edwardian period. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
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