Philip Pearlstein, American Modernist Sacsahuaman Landscape Aquatint Etching Philip Pearlstein, 1979

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Philip Pearlstein (American, 1924-)
Large Sacsahuaman Landscape Etching Aquatint, 1979
From the series Ruins and Landscapes.
Sugar-lift, aquatint and roulette … Read more Philip Pearlstein (American, 1924-)
Large Sacsahuaman Landscape Etching Aquatint, 1979
From the series Ruins and Landscapes.
Sugar-lift, aquatint and roulette on ivory wove paper.

Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft).
The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar.

In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection.
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party. The Pearlstein's moved to East 4th Street, taking over an apartment from fellow figure painter Lester Johnson, and Philip enrolled in the Masters in Art History program at New York University Institute of Fine Arts. His thesis was on artist Francis Picabia, evaluating Cubism, Abstract art, Dada and Surrealism, graduating in 1955.
After graduation, he was hired by Life Magazine to do page layouts, and was then awarded a Fulbright Hays fellowship, enabling him to return to Italy for a year, where he painted a series of landscapes. From 1959 to 1963, he was an instructor at Pratt Institute, in Brooklyn, NY, and subsequently spent a year as a Visiting Critic at Yale University in New Haven, CT. Both Alex Katz and Pearlstein remained committed to figurative painting during the 1950s and 1960s, decades otherwise dominated by abstraction, Although Lucian Freud and later, David Hockney both also painted in a realistic style across the pond. Finally, from 1963 to 1988, he was Professor, and then Distinguished Professor Emeritus at Brooklyn College, in Brooklyn, NY. During the 1950s Pearlstein exhibited abstract expressionist landscape paintings. Around 1958 he began to attend weekly figure drawing sessions at the studio of Mercedes Matter. In 1961 Pearlstein began to make paintings of nude couples based upon his drawings, and in 1962 he began painting directly from the model in a less painterly and more realistic style.

Pearlstein's work is in over seventy museums collections in the United States, including the Art Institute of Chicago, The Cleveland Museum of Art, the Corcoran Gallery of Art, Hirshhorn Museum and Sculpture Garden, Kemper Museum of Contemporary Art, Metropolitan Museum of Art, The Museum of Modern Art and Whitney Museum of American Art amongst others. The Milwaukee Art Museum honored him with a retrospective exhibition in 1983 and accompanied the exhibition with a monograph on his complete paintings. He recently showed at the Century Association, New York; Frye Art Museum, Seattle; Galerie Haas, Zurich; and Galerie Haas & Fuchs, Berlin, Germany.

Since the mid-1950s Pearlstein has received several awards, most recently, the National Council of Arts Administrators Visual Artist Award; The Benjamin West Clinedinst Memorial Medal, The Artists Fellowship, Inc., New York, NY; and honorary doctorate degrees from Brooklyn College, NY, Center for Creative Studies and the College of Art & Design, Detroit, MI, and New York Academy of Arts, New York, NY. Pearlstein is a former President of the American Academy of Arts and Letters. In 1988 he was elected into the National Academy of Design. See less