'Shichiri Ferry', After Utagawa Hiroshige 歌川廣重, Ukiyo-E Woodblock, Tokaido

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An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. … Read more An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches.

Two boats arrive in Kuwana having just completed the crossing of Ise Bay. Looking closely, we can see people huddled together on the ship as they wait to disembark. The crossing was known as Shichiri (7 ri) because of its distance (one ri is roughly 2.5 miles), and it was the longest section of the trip to be taken by ferry. Kuwana Castle rises out of the water behind the boats.

This example is from Okuyama's mid-century reissue of the artist's "Fifty Three Stations of the Tokaido Road", a series of Ukiyo-e prints created between 1833 and 1855. These depicted various views of the most important five main trade roads connecting Kyoto to modern-day Tokyo during the Edo period (1603-1868). A comic poem or "kyoka" also appears, inscribed in elegant kuzushiji script.

The best-known student of Utagawa Toyohiro (ca.1773-1829), Utagawa Hiroshige studied the Western style introduced by the founder of the Utagawa school, Toyoharu (1735-1814). Together with Hokusai, Hiroshige is considered one of the two leading Japanese landscape painters of the nineteenth century and he became one of the foremost representatives of the Ukiyo-e movement. He created more than 400 woodcut and woodblock prints of actors, warriors, courtesans and, particularly, naturalistic landscapes of Japan. Hiroshige's work was highly regarded in his own time and also became influential in the development of European Modernist painting of the late nineteenth century, especially that of the Impressionists and Post-Impressionists including Monet, Van Gogh and Gauguin.

(For descriptions of the individual works, we are indebted to Nicholas Scaglione and Professor Ingrid Furniss of Lafayette College). [H43] See less