Details
Description
Original hand-colored engraving after a botanical illustration by Samuel Holden of a Cattleya Labiata (Crimson-Lipped Cattleya Orchid), from Joseph Paxtons …
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Original hand-colored engraving after a botanical illustration by Samuel Holden of a Cattleya Labiata (Crimson-Lipped Cattleya Orchid), from Joseph Paxtons Magazine of Botany Volume 4, London, 1837. Most of Paxton's floral prints had a sheet size of 9 x 6-1/4 inches. Rarely, large prints were issued with a sheet size of 12-1/2 x 9 inches, folded, such as this print.
Presented in a new 3/4 inch wide black lacquer wood frame, conservation mat, and protected by Tru Vue Conservation Clear® glazing, created by an old-world master having over 30 years of experience framing fine art. Mat opening size: 12-1/4 x 8-1/4 inches; overall size with frame: 16-1/4 x 12-3/4 inches. The print is in excellent condition (three folds are as issued), never previously displayed, and once framed is stored in a controlled environment away from light.
Sir Joseph Paxton (1803–1865) was an English gardener, architect, engineer and Member of Parliament, best known for designing the Crystal Palace, for cultivating the Cavendish banana (the most consumed banana in the Western World), and for Paxton’s Magazine of Botany, which was published in 16 volumes from 1834-49.
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- Dimensions
- 12.75ʺW × 1.12ʺD × 16.25ʺH
- Styles
- Realism
- Art Subjects
- Botanic
- Frame Type
- Framed
- Period
- Mid 19th Century
- Country of Origin
- United Kingdom
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Woodcut
- Condition
- Mint Condition, No Imperfections
- Color
- Lavender
- Condition Notes
- As with all our framed art, the frame is new. The print is in excellent condition (three folds are as … moreAs with all our framed art, the frame is new. The print is in excellent condition (three folds are as issued), never previously displayed. Photographs are detailed and taken under controlled lighting; post-production is performed with calibrated monitors. Thus, our photographs accurately capture the work's condition and colors. However, monitors vary and can affect the way art appears online. Contact us for any concerns. less
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