Details
Description
Signed lower left, dated verso 1969 and titled: 'Myriam, Das Rote Handtusch'.
A lyrical oil on board study of a …
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Signed lower left, dated verso 1969 and titled: 'Myriam, Das Rote Handtusch'.
A lyrical oil on board study of a young woman drying herself with a red hand-towel presented in a 12" x 14.5" water-gilt, linen-lined frame.
Carl Otto Muller (German, irst studied at the Kunstgewerbschule in Munich under Caspar and, subsequently, at the Dortmund Kunstakademie. He furthered his studies in Paris and Italy. During a long and successful career, he was the recipient of numerous medals and prizes and juried awards. He was the subject of many solo-exhibitions including at the Koll-Austellung, (1947), the Stutttgart Kunstkabinett (1952), the Eichstadt Gewerbehalle and Munich’s Stadtgalerie (1955). Muller is known particularly for his subtle and psychologically-penetrating studies of women painted in a modulated post-Impressionist style reminiscent of Bonnard’s Intimism. We are pleased to offer this dynamic figural study from Muller's mature period.
Reference:
Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 3, p. 438; et al.
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- Dimensions
- 6.5ʺW × 1ʺD × 8.75ʺH
- Frame Type
- Framed
- Period
- 1960s
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Oil Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Peach
- Condition Notes
- painting: excellent and original frame: minor abrasions painting: excellent and original frame: minor abrasions less
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