Joseph Kosuth — Authentic 2003 Foucault and Dilbert Screenprint, Signed, Numbered, With Coa

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Joseph Kosuth(1945)
Foucault and Dilbert, 2003
Screenprint,Paper, text ‘Michel Foucault‘ and drawings

Blind stamp marked Copyright 2003 United Feature Syndicate … Read more Joseph Kosuth(1945)
Foucault and Dilbert, 2003
Screenprint,Paper, text ‘Michel Foucault‘ and drawings

Blind stamp marked Copyright 2003 United Feature Syndicate Inc

Numbered 38/100 and signed lower right

Accompanied by a certificate of authenticity

Joseph Kosuth, a renowned American artist, is a leading figure in the Conceptual Art movement. Born in 1945 in Toledo, Ohio, Kosuth's artistic journey is marked by his exploration of language, meaning, and perception.

Early Life and Education

Kosuth's early education took place at the Toledo Museum School of Arts and the Cleveland Art Institute. He later attended the School of Visual Arts in New York, where he became fascinated with the ideas of Ludwig Wittgenstein and structuralism.

Artistic Style and Influences

Kosuth's work challenges traditional notions of art, focusing on the idea rather than the physical object. His iconic piece, "One and Three Chairs" (1965), exemplifies this approach, featuring a real chair, its photograph, and a dictionary definition. This work questions the relationship between objects, images, and text.

Incorporating Foucault's Thought

He often engages with philosophical ideas, including those of Michel Foucault. His installations and writings explore the intersection of language, power, and knowledge, reflecting Foucault's influence.

Notable Works and Exhibitions

Kosuth's work has been showcased in numerous exhibitions, including the Venice Biennale and Documenta. His notable series, "Art as Idea as Idea", features dictionary definitions of words, highlighting the primacy of language in art.

Awards and Recognition

Kosuth has received several accolades, including the Brandeis Award (1990) and the Golden Cross for Science and Culture (2003). His work is part of prominent collections, such as the Museum of Modern Art (MoMA) and the Centre Pompidou.



Dilbert (2003)

Joseph Kosuth's "Dilbert" is a thought-provoking installation that explores the intersection of language, meaning, and popular culture. Created in 2003, this work comprises a series of texts and images referencing the popular comic strip character Dilbert, created by Scott Adams.

Deconstructing Language

Kosuth's installation features enlarged dictionary definitions of words related to Dilbert, such as "office," "work," and "humor." These definitions are juxtaposed with images and texts from the comic strip, creating a complex web of meanings and associations. By deconstructing language, Kosuth questions the stability of meaning and highlights the role of context in shaping our understanding of texts.

Commentary on Modern Life

"Dilbert" can be seen as a commentary on modern life, exploring themes of alienation, bureaucracy, and the search for meaning in a post-industrial society. Kosuth's use of the Dilbert character creates a dialogue between high art and popular culture, highlighting the ways in which language and imagery shape our perceptions of reality.

Conceptual Framework

Kosuth's work embodies his Conceptual Art approach, emphasizing the idea over the physical object. By using text and language as primary materials, he challenges traditional notions of art and invites viewers to engage with the intellectual content of the work.

Critical Reception

"Dilbert" has been exhibited in various contexts, sparking discussions on language, meaning, and popular culture. Critics have praised Kosuth's rigorous intellectual approach, noting the work's complexity and depth.

Kosuth's "Dilbert" is a rich and layered piece that rewards close attention and reflection, offering insights into the nature of language, meaning, and contemporary culture. See less