Lc10 T5 Table by Le Corbusier, Pierre Jeanneret, Charlotte Perriand for Cassina

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Lc10 textured black outdoors square table designed by le corbusier, pierre jeanneret, charlotte perriand in 1929. Revisited by perriand in … Read more Lc10 textured black outdoors square table designed by le corbusier, pierre jeanneret, charlotte perriand in 1929. Revisited by perriand in 1984, and relaunched by cassina one year later. Manufactured by cassina in italy. Le corbusier, charlotte perriand and pierre jeanneret exhibited the first version of this table at the 1929 salon d'automne in paris, as part of the “équipement intérieur d'une habitation” setting. The design, which was originally presented as a writing-desk, was revisited by perriand in 1984, and relaunched cassina one year later, with new variants appropriate to contemporary needs. Its clean-cut frame highlights the highly original approach to the chrome finish of the tubular steel legs, and the way the colours are applied on the laminated trim. The collection includes a dining table as well as low tables, both in a square and rectangular formats. The coloured trim is supplied in a variety of shades from the corbusier palette. Production delay: 8-9 weeks important information regarding images of products: please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor about the designer: in 1922, le corbusier began working in the new rue de sèvres, paris, atelier with his cousin pierre jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In october 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: charlotte perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design. The partnership was highly significant, both in terms of the cultural weight of their achievements and their professional successes. It was together with charlotte perriand that the pair tackled the innovative project for “l'équipement d'intérieur de l'habitation”. The resulting designs were of great intellectual value and considerable commercial success. About the manufacturer: in a continuing dialogue between past, present, and future, cassina has created the i maestri collection, revisiting furnishing designs by the twentieth century’s best-known architects, including le corbusier, pierre jeanneret, charlotte perriand, charles rennie mackintosh, gerrit thomas rietveld, franco albini, frank lloyd wright and marco zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 50’s to the present day, ideated by some of the most important international designers. Today cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with the cassina perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authority. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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