Cobalt Blue Glass, Lattimo and Gold Leaf Wall Sconces by Tomaso Buzzi for Venini, 1940, Set of 2

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Description

An exceptionally rare pair of wall sconces designed by Tomaso Buzzi for Venini in the 1940s, combining hand-blown lattimo incamiciato … Read more An exceptionally rare pair of wall sconces designed by Tomaso Buzzi for Venini in the 1940s, combining hand-blown lattimo incamiciato Murano glass with gold-leaf inclusions, sculptural electric-blue glass mounts and naturally patinated brass. Each sconce features a substantial cup-shaped shade with almost vertical sides, a softly rounded lower profile and a clean, subtly flared upper rim. The restrained geometry of the shades gives the sconces a strong architectural presence, while the curved base introduces a softer and more organic element to the composition. The shades are executed in incamiciato glass, with an opaque white lattimo layer encased within clear glass. This sophisticated construction gives the glass an extraordinary sense of depth and creates a luminous, porcelain-like appearance when the sconces are unlit. Fine gold leaf is dispersed throughout the glass in a remarkably delicate, almost granular pattern. Broader, irregular trails of gold rise vertically around the surface of each shade, interrupting the dense golden texture and creating an elegant graphic rhythm. These variations are entirely characteristic of the traditional Murano production process and make each shade unique. The gold detailing remains discreet in natural light, appearing as a subtle dusting across the ivory glass, but becomes increasingly visible and vibrant when illuminated. Once lit, the lattimo glass diffuses the light into a warm and enveloping glow. The gold-leaf inclusions shimmer gently throughout the surface, while the open upper section of each shade projects a soft halo onto the wall and ceiling. The resulting effect is atmospheric, refined and particularly flattering in an interior setting. The luminous ivory shades are supported by striking mounts made from thick, hand-worked Murano glass in an extraordinary shade of deep midnight blue, appearing almost electric cobalt under direct light. Each mount is formed by five pronounced horizontal ribs with softly rounded edges, creating a bold architectural counterpoint to the understated glass shades above. The saturated blue glass is an exceptionally unusual detail. Its intense color contrasts beautifully with the warm gold leaf, softly luminous lattimo glass and aged brass, giving the sconces a distinctly modern and highly decorative character. The blue mounting elements partially conceal the internal brass supports, while the rectangular brass wall plates remain visible at the rear. The brass retains its original naturally aged patina, which has been deliberately preserved as an integral part of the sconces’ historical character. The plaster components connecting the glass elements to the supporting structures have undergone careful and conservative restoration. The intervention was limited to stabilizing and preserving the original construction while respecting the age, materials and authenticity of the pieces. The glass elements are preserved in excellent vintage condition, with no significant defects to report. Small bubbles, slight variations in color, irregularities in the distribution of the gold leaf and subtle differences between the two shades are inherent to their artisanal Murano manufacture and should not be considered imperfections. Both sconces have already been professionally rewired for use in the United States and are fitted with E26 lamp holders.

Dimensions, each: Diameter: 16 cm / 6.30 in Depth: 20.5 cm / 8.07 in Height: 22.5 cm / 8.86 in This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution,
Up to 250V (Europe/UK Standard).The wiring of this item may be original and might need replacement, if not specified otherwise. See less