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Description
A monumental, exhibition-scale mid-century abstract metal wall relief sculpture measuring a massive 54" x 38". Sourced from a premier Brutalist …
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A monumental, exhibition-scale mid-century abstract metal wall relief sculpture measuring a massive 54" x 38". Sourced from a premier Brutalist and Modern collector’s California estate alongside this studio metalwork, this commanding architectural piece features a fluid, undulating biomorphic front panel precision-cut with sharp, geometric negative-space viewing windows. The face is masterfully hand-detailed with flowing lacquer gradients of rich teal, vibrant turquoise, and pale seafoam green. This coastal-chic color palette is anchored by a central vertical line of hand-applied gold leaf metallic accent squares. The organic steel shield is mounted on hidden industrial standoffs, allowing it to float away from a heavy, solid aluminum backing panel. The background panel features magnificent, swirl-burnished brushwork designed to actively catch, scatter, and reflect ambient room lighting. The resulting kinetic interplay between the vivid enameled steel, the gold leaf accents, and the reflective aluminum backplate gives the sculpture an immense, multi-dimensional presence.A spectacular, ready-to-style focal choice for interior designers and decorators staging high-end contemporary, coastal modern, or West Coast Organic Modern residential projects.
Materials & Execution: Original mixed-media dimensional relief on heavy gallery-wrapped canvas. Textured faux-burnished metallic silver background with an undulating biomorphic overlay finished in hand-painted teal and turquoise gradients, incised line geometry, and gold leaf accents. It is crafted using layered metal layers, utilizing hand-ground swirls on a silver metallic aluminum backplate to catch and reflect ambient lighting. The use of wooden blocks hidden beneath the metal panels to act as float spacers is a highly specific, definitive hallmark of late mid-century studio craftsmanship. The Mid-Century Modern artwork is in the style and period of Curtis Jere.
Artwork Characteristics
Materials: Pieces such as these are typically constructed from high-grade aircraft aluminum sheets that resist rust and corrosion.
Finishes: Features tinted translucent enamel paints in teal, turquoise, and sea green tones, allowing the reflective metallic grain underneath to shine through.
Details: Accented with rows of gold square foils, geometric cutouts, and hand-etched spiral and linear patterns.
Display Recommendations
Lighting: Placing a direct spotlight or track light overhead will bring out the shimmering 3D depth created by the grind patterns.m
Similar artists in this style:
The Henrik Horst Circle (Danish / Scandinavian Brutalism)The Construction Match: Henrik Horst and his immediate European contemporaries are renowned for this exact hidden architecture. They routinely used wood blocks to float torch-cut, acid-treated metal designs away from a rigid backplate.The Style Match: This approach created deep shadow gaps that emphasizes the texture of his geometric cuts, multi-colored patinas, and abstract enamel glazes.
Rudy Lechleiter:
The artwork bears a striking compositional resemblance to the acid-etched, multi-tonal layered metal panel structures created by modernist Rudy Lechleiter. He regularly employed a mix of fluid organic shields, circular geometries, and deep aqua/amber patinas mounted floating off a brushed metallic surface.
The Technique: Lechleiter, a German-born artist who established his famous design studio in Vancouver in 1973, worked exclusively by painting acid-resistant patterns onto metals (copper, brass, and aluminum) and bathing them in acid solution to create deep, multi-tonal patinas.
The Assembly: He routinely built his murals with a frameless edge, allowing the brushed metal base to act as a clean, flush canvas. He used internal wood blocks to float the chemical-etched, enameled foreground shields away from the base, giving his artwork its distinctive architectural shadowing.The Composition: The fluid, organic outer boundaries of the turquoise plate resting on top of geometric swirls and floating square grids is the ultimate signature of his mid-to-late 1970s catalog.
David Grojean:
Sourced directly from a premier California collection featuring many of Grojean’s works, this monumental statement piece is likely an unsigned studio original in the style of acclaimed American contemporary artist David Grojean. Celebrated for his high-impact, architectural mixed-media works, Grojean’s portfolio bridges the gap between mid-century spatial abstraction and sleek, contemporary structural design. His pieces are deeply coveted by interior decorators for their multi-dimensional, sculptural presence. Rather than relying on flat canvas applications, Grojean masterfully utilizes thick gesso foundations, incised geometric line work, and metallic leaf overlays to create a living, tactile surface that commands visual authority within a room.
A foundational signature of David Grojean’s metalwork is the way he treated the base layer. He used high-speed rotary tools to grind circular swirls and crescent-shaped chatter marks into the metal. When light hits the piece, these ground-in micro-patterns reflect through his vibrant, translucent turquoise and teal enamel overlays to give the illusion that the shapes are floating or moving independently.
David Grojean’s dimensional pieces are famously mixed-media assemblages. He typically hand-cut a sheet of heavy Plexiglass (acrylic) or thick board, applied his abstract enamel paintings to it, and then structurally mounted it over the brushed aluminum or steel baseplate using hidden spacers on the back. As the colored section of this artwork is a raised panel physically separated from the metal backplane, it aligns perfectly with Grojean’s workflow. It is physically suspended over the aluminum base with hidden internal spacers, creating a dramatic shadow gap. This multi-layered "float" technique is a cornerstone of Grojean's 3D relief series.
Premium Box-Framed Aluminum Base: The back layer is a thick, professional gallery box-frame structure with crisp, clean corners. The face and returns are beautifully wrapped, showing premium studio craftsmanship.
Subtle Edge Weathering: The slight patina and micro-wear along the sharp edges confirm that this piece has some age to it, perfectly fitting its vintage description from a Brutalist estate.
Mastery of Dimensional Illusion and Color: This particular exhibition-scale masterwork showcases skill in the style of Grojean's technique: an innovative dimensional relief layered over a heavy gallery-wrapped chassis. The background panel features a brilliantly executed, light-reflective faux-burnished finish, achieved through gestural circular brushwork that mimics the raw, kinetic texture of swirl-burnished aluminum. This shimmering, multi-toned metallic background perfectly offsets an undulating biomorphic overlay finished in his signature, sun-drenched palette of teal, turquoise, and pale seafoam green. The interplay of organic negative space, crisp incised geometry, and a central vertical line of applied gold leaf squares turns the entire canvas into a dynamic optical experience that actively scatters light. For designers seeking an authentic, large-scale California Modern statement piece, this Grojean style piece delivers immense architectural scale and artistic pedigree.
Styles:
Curtis Jere Style, Monumental Wall Art, Polychrome Metal Relief, Teal and Gold Leaf, Swirl Burnished Aluminum, California Living Room Art, Mid-Century Modern, Large Scale Sculpture, Abstract Metal Wall Decor, Kinetic Metal Art, 1970s Brutalist Wall Sculpture, Staging Statement Piece, Space Age, High-End Coastal Modern, Geometric Metal Panel, Floating Standoff Art.
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- Dimensions
- 54ʺW × 2ʺD × 38ʺH
- Period
- Late 20th Century
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Aluminum
- Burnished Gold Finish
- Enamel
- Mixed-Media
- Steel
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Turquoise
- Condition Notes
- Excellent vintage condition with patina consistent with its age. Ot is a striking, colorful, vibrant piece. The lacquer finish remains … moreExcellent vintage condition with patina consistent with its age. Ot is a striking, colorful, vibrant piece. The lacquer finish remains bright and free of chips or flaking. All gold leaf squares are fully intact. The burnished aluminum backboard is clean, showcasing its original radiant texture without deep scratches or modern corrosion. Metal corners have an ever so slightest weathering consistent with age. Ready for immediate gallery installation. less
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