Jacques Halbert, Who’s Afraid of Yellow and Red, 2003, Acrylic on Paper

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Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. He attended the Brassart school then the École … Read more Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. He attended the Brassart school then the École des Beaux-Arts in Bourges. In the 80s, he moved to the United States. He buys the Art Café in New York where he organizes several exhibitions, including Jeff Koons and Andy Warhol, before opening the Magnifik Gallery in the late 90s. Jacques Halbert lives in France since the 2000s. His art is characterized by two guidelines: performance and painting. His plastic work is reduced almost exclusively to apply one or more cherries on a monochrome canvas. Jacques Halbert himself defines this neo-Dadaist and often parodic stance of the artist's figure as "a manifesto of good taste".,Jacques Halbert, born in Bourgueil in 1955, is a contemporary French artist. He attended the Brassart School and then the École des Beaux-Arts in Bourges. In the 1980s, he moved to the United States. He bought the Art Café in New York, where he organized several exhibitions, including those of Jeff Koons and Andy Warhol, before opening the Magnifik Gallery in the late 1990s. Jacques Halbert has lived in France since the 2000s. His art is characterized by two guiding principles: performance and painting. His sculptural works are almost exclusively limited to the application of one or more cherries to a monochrome canvas. Jacques Halbert himself defines this neo-Dadaist and often parodic stance of the artist persona as "a manifesto of good taste." Who's Afraid of Yellow and Red

2003 Acrylic on Arches paper
56 x 77.5 cm
Signed by the artist with his certificate.

Biography

Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist.

The most frequent visit to the Brassart School is to the Beaux-Arts School of Bourges. In the years 80, he is part of the life of the États-Unis. The Art Café in New York or the organization of the names of exhibitions, including Ken Friedmann, Ben Vautier, Jeff Koons, Andy Warhol, opened the Magnifik Gallery at the end of the 90th anniversary. Jacques Halbert was published in France in 2000.

Son art se caractérise par deux lignes directrices: la performance et la peinture. The plastic work is available in a quasi-exclusive manner with an applique or additional cerises on a monochrome canvas. Jacques Halbert defines this neo-dadaist posture and souvent parodique of the figure of the artist comme "un manifeste du bon goût".,Jacques Halbert, nato nel 1955 a Bourgueil, is a French contemporary artist. He frequented the Brassart School and the Ecole des Beaux-Arts di Bourges. Negli anni '80 si transfer negli Stati Uniti. Acquired from the Art Café in New York with various organizatons, based on Jeff Koons and Andy Warhol, from the beginning of the Magnifik Gallery all the way back in '90. Jacques Halbert lived in Francia dagli anni 2000. His art is caratterized by the due line guide: the performance and the picture. The plastic laquer is designed to virtually exclude all applications of one or two monochromatic instruments. The stesso Jacques Halbert defines this position neo-dadaista and spesso parodica della figura dell'artista come "un manifesto del buon gusto".,Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. Study at the Brassart School and Luego at the École des Beaux-Arts de Bourges. In the 80s we moved to the Unified States. Compra el Art Café de Nueva York, donde organiza varias exposiciones, entre ellas las de Jeff Koons y Andy Warhol, antes de abrir la galería Magnifik a finales de los 90. Jacques Halbert lived in Francia desde la década de 2000. His arte se caracteriza por dos directrices: la performance y la paint. This plastic material reduces this exclusive aplicar in one or more different colors so it is monocromo. The propio Jacques Halbert defines this postura neodadaísta and a menudo paródica de the figure of the artista like "un manifiesto del buen gusto". This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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