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Province - Lithograph 1965
Paris, FR
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Description
(after) Dunoyer de Segonzac Title: Province Signed in the plate Dimensions: 38 x 28 cm from the edition of 250 … more (after) Dunoyer de Segonzac Title: Province Signed in the plate Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre, ''Les Peintres mes amis'' (Paris: Les Heures Claires, 1965) André DUNOYER DE SEGONZAC (1884 - 1974) André Dunoyer de Segonzac naît le 7 juillet 1884 à Boussy-Saint-Antoine (Essonne). En 1900, il est élève libre à l’Ecole des Beaux-Arts de Paris puis entre dans l’atelier de Luc-Olivier Merson. Il dessine d’après modèle à l’Académie de la Grande Chaumière et à l’Académie Colarossi. Quelques années plus tard, il étudie auprès de Jean-Paul Laurens, fréquente l’Académie de La Palette à Montparnasse où enseignent Jacques-Emile Blanche et Charles Guérin, et rencontre Luc-Albert Moreau et Jean-Louis Boussingault. En 1908-1909, il fait ses premiers envois aux Salons d’Automne et des Artistes Indépendants. Le couturier Paul Poiret lui achète les Buveurs et devient son ami, ce qui lui permet de rencontrer Jean-Louis Forain, Max Jacob, Raoul Dufy et Maurice de Vlaminck. Les paysages de Provence (il loue la maison de Signac à Saint-Tropez puis achète celle de Camoin) et d’Ile-de-France sont sa principale source d’inspiration. D’après l’artiste : « L’amour de la campagne et la solitude sont des éléments indispensables pour que naisse « l’état de grâce », source créatrice des œuvres profondes et durables. Elles créent un état d’esprit voisin de la félicité spirituelle qu’ont éprouvée un saint François d’Assise, un Corot ou un Rembrandt… ». Il voyage aussi beaucoup à l’étranger : en Italie, en Espagne ou en Afrique du Nord. Cependant, il ne se cantonne pas à la peinture de paysage et est également inspiré par le corps en mouvement, notamment par les danses d’Isadora Duncan qui donnent lieu à la publication de l’album de dessins Shéhérazade en 1910. L’année suivante, il est le concepteur des décors de Nabuchodonosor au Théâtre des Arts. En outre, André Dunoyer de Segonzac pratique assidûment la gravure et réalise dans ce domaine un travail considérable et varié. Il illustre différents ouvrages : Croix de Bois de Roland Dorgelès en 1920, Tableaux de la Boxe de Tristan Bernard en 1922-23, les Géorgiques de Virgile (travail initié par Ambroise Vollard mais présenté après sa mort à la galerie Charpentier en 1948)… Il collabore avec les marchands d’estampes Jacquart et Marcel Guiot ; grave des portraits (Colette, André Gide, Léon-Paul Fargue, Paul Léautaud) ; est nommé Sociétaire puis Président d’Honneur de la Société des Peintres Graveurs Français (1930 et 1959). Enfin, l’année 1958 voit la publication du premier des huit tomes du Catalogue de l’œuvre gravé de Dunoyer de Segonzac (par Aimée Lioré et Pierre Cailler, édition Pierre Cailler, Genève). En 1925, Claude Roger-Marx avait publié un livre sur sa peinture chez Crès. Après quelques expositions à Londres et à New York au début des années 30, il entame à partir de la fin de la décennie une période de grandes expositions à l’étranger : Chicago, New York (chez Carrol Carstairs), Londres (chez Wildenstein), Bâle (Kunsthalle, 1948), Genève (Musée d’art et d’histoire, 1951). Artiste très apprécié à l’étranger, il reçoit de nombreuses distinctions : en 1947 il est élu membre de la Royal Academy de Londres (en remplacement de Bonnard) et l’année suivante il est nommé membre associé de l’Académie royale de Bruxelles. André Dunoyer de Segonzac est aussi le fondateur du salon Souvenir de Corot à Viroflay. less
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