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Alois Heinrich Priechenfried
Hand signed upper left
Dimensions: 5 X 4 without frame 4 X 3
This evocative portrait by …
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Alois Heinrich Priechenfried
Hand signed upper left
Dimensions: 5 X 4 without frame 4 X 3
This evocative portrait by Alois Heinrich Priechenfried, likely created in the late 19th or early 20th century, presents a seated rabbi lost in contemplation. The artwork's strength lies in its profound intimacy and the artist’s mastery of light and shadow, characteristic of the Impressionistic period. The composition, dominated by the rabbi, is both formal and naturalistic, creating a feeling of reverence.
The rabbi is depicted with a flowing beard and traditional attire, hinting at a life of scholarly pursuit. The subdued palette, primarily earth tones with accents of black and white, enhances the mood of solemnity and introspection. The play of light across the rabbi's face, meticulously rendered, draws the viewer's gaze, highlighting his thoughtful expression. The subdued setting, devoid of distracting details, further emphasizes the figure's inner world.
Nineteenth century Austrian portrait and genre painter Alois Heinrich Priechenfried.
Alois Heinrich Priechenfried was born June 25, 1867 in Vienna, parish Gumpendorf, and died March 24, 1953 in Vienna. He was an Austrian portrait painter of naturalism and also was trained as a gilder. In his time, he received high recognition for his portraits of rabbis. Priechenfried worked from the year 1881 as a gilder in the company of his father, Alois Michael Priechenfried. He completed his artistic training as a guest student from 1884 to 1885 at the Vienna Academy of Fine Arts under Professor Christian Griepenkerl. After several stays in Munich, Germany he lived until his death at Kauerhof in Diefenbachgasse 12 in the 15th district of Vienna. On June 28, 1896 Alois Heinrich Priechenfried was granted the citizenship of the city of Vienna.
His work has been sold at prestigious auction houses such as Bonhams, Christies and Sothebys.
Much of the Jewish art by Priechenfried focused on the quiet contemplation by Polish Hasidic rabbis of the holy scriptures and synagogue interiors. Alois Michel Priechenfried, the artist’s father, was a gilder by trade. Gilding is the decorative technique for applying a very thin coating of gold to solid surfaces such as metal, wood, porcelain, or stone. He married Anna Hackensoellner and the couple had three children, August Franz, Georg and Alois. Alois Heinrich Priechenfried was born June 25th, 1867 in the Gumpendorf district of Vienna. When Alois was fourteen years old, he followed in his father’s footsteps and trained and worked as a gilder. At the age of seventeen he enrolled for one year at the Vienna Academy of Fine Arts as a guest student.
One of his professors at the Academy was the German painter, Christian Griepenkerl. Griepenkerl had been appointed a professor at the Academy of Fine Arts Vienna in 1874 and three years later he was the lead professor at the Academy’s special school for historical painting. Griepenkerl specialised in allegorical representation using themes from classical mythology and portraiture. He taught many of the foremost painters of the time including Egon Schiele and Anton Peschka but his teaching methodology and that of the Academy was looked upon by many young students as antiquated and overly-conservative and so many left the Academy and founded the Neue Kunst Gruppe (New Art Group), which fostered its own style without Academic constraints. Christian Griepenkerl later became famous for refusing Adolf Hitler’s application to join the Academy in 1907 stating that Hitler’s entrance submission piece was both unimaginative and unsatisfactory. Alois married a Emile Aurelia Watzek, a Yugoslavian lady in 1890 and the couple went on to have eight children. As can be seen in the above painting and the ones below, he also completed many genre works. Priechenfried spent many periods of his life in Munich but always returned to his beloved Vienna. Alois Heinrich Priechenfried died on May 24th 1953 at his home in Diefenbachgasse in the Rudolfsheim-Fünfhausdistrict of Vienna which lies on the northern bank of the River Wien. He was 85. He is one of many great Austrian genre artists that included Leopold Gottlieb, Maurycy Gottlieb, Isidor Kaufmann, Lazar Krestin, Leopold Pilichowski, and Itshak Holtz
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- Dimensions
- 4ʺW × 1ʺD × 5ʺH
- Styles
- Modern
- Frame Type
- Framed
- Art Subjects
- Portrait
- Period
- Mid 20th Century
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Oil Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Green
- Condition Notes
- Good minor wear. frame has minor wear. please see photos. Good minor wear. frame has minor wear. please see photos. less
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