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Description
Zimmerman has painted Mediterranean villages for decades, building a body of work that spans continents and yet always comes back …
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Zimmerman has painted Mediterranean villages for decades, building a body of work that spans continents and yet always comes back to the same irresistible subject: the way human beings organize themselves on a hillside, the way architecture and landscape negotiate with each other, the way warm light falls on terracotta and turns a functional surface into something beautiful. This painting is among the finest in the series. Seen from above, the village unfolds with complete ease, rooftops and paths and trees finding their places in a composition that is both structurally resolved and genuinely alive. The palette is all warmth, a concentrated range of reds, golds, and earthy greens that will lift a room without overwhelming it. For a living room or dining room with warm toned walls, this is a painting that will feel like it was always supposed to be there.
Marc Zimmerman is an American painter and ceramic sculptor based in Carmel-by-the-Sea, California. For more than four decades, his work has opened doors into imagined worlds: lush jungles filled with fantastical botanical forms, sun-drenched Mediterranean villages, vibrant florals, and ceramic totems that blend ancient influences with a distinctly contemporary vision. Zimmerman's artistic language was shaped by an unusually varied career. His background as a woodcut printmaker brought compositional clarity and strong graphic structure to his paintings, while the influence of Henri Rousseau and Paul Gauguin inspired his richly imagined landscapes. Time spent living and painting in Kauai, along with extensive travel throughout Mexico and Europe, infused his work with the saturated light, color, and atmosphere that define his celebrated Jungle, Village, and Tropical Floral series.
In recent years, Zimmerman returned to his earliest passion, clay, creating his Garden Totem series from hand-sculpted and individually glazed ceramic elements stacked into spontaneous vertical compositions. Rooted in his pottery experience in Venice Beach during the 1960s and 70s, these works bring the same exuberance, movement, and inventive use of color found throughout his paintings into three-dimensional form. His work is represented by galleries in California, Florida, and New York, and is held in private collections throughout the United States and internationally.
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- Dimensions
- 60ʺW × 1.5ʺD × 40ʺH
- Art Subjects
- Architecture
- Botanic
- Cityscape
- Landscape
- Frame Type
- Unframed
- Period
- 2020s
- Country of Origin
- United States
- Item Type
- New
- Materials
- Canvas
- Oil Paint
- Condition
- Mint Condition, No Imperfections
- Color
- Burnt Orange
- Condition Notes
- In pristine, excellent condition In pristine, excellent condition less
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