Details
Description
Elevate your space with "Less is More," a museum-quality end table by Giuseppe Deepak Benti that redefines contemporary collectible design.
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Elevate your space with "Less is More," a museum-quality end table by Giuseppe Deepak Benti that redefines contemporary collectible design.
This one-of-a-kind statement piece rejects modern mass production, crafted exclusively with hand tools and zero machinery.
It reflects my philosophy, "Less perfection and more Authenticity," and it's realized through master-grade Iroko and Maple.
The piece achieves structural permanence without a single drop of glue, utilizing high-precision round mortise-and-tenon joints that celebrate the raw strength of solid wood.
A hand-carved decorative texture on the surface invites touch, contrasting beautifully with the organic live edges.
Hand-rubbed with natural orange oil and beeswax for a rich, artisanal patina.
Featured in Furniture and Cabinetmaking Magazine (Issue 329), marking it as a significant work for serious collectors.
This is more than furniture; it is a testament to human skill and a rejection of the industrial.
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- Dimensions
- 21.65ʺW × 13.39ʺD × 29.53ʺH
- Styles
- Contemporary
- Period
- Early 21st Century
- Country of Origin
- Italy
- Item Type
- New
- Materials
- Maple
- Condition
- Mint Condition, No Imperfections
- Color
- Beige
- Condition Notes
- New — This is a new (unused) item of contemporary design\. Extensively describe with a nine-page article in issue 329 … moreNew — This is a new (unused) item of contemporary design\. Extensively describe with a nine-page article in issue 329 of Furniture and Cabinetmaking Magazine. An orgiginal copy of the article will be sent to the buyer, together with the table, for collectability. less
Returns & Cancellations
Return Policy - All sales are final 48 hours after delivery, unless otherwise specified in the description of the product.
Cancellation Policy - Prior to shipping or local pickup, buyers may cancel an order for up to 48 hours, unless otherwise specified.
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