1980s Ash and Signal - Virginia Cohn Parkum, C. Unknown

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Ash and Signal*
Virginia Cohn Parkum, c. Unknown

In Ash and Signal, Virginia Cohn Parkum constructs a stark visual field … Read more Ash and Signal*
Virginia Cohn Parkum, c. Unknown

In Ash and Signal, Virginia Cohn Parkum constructs a stark visual field where industrial forms and elemental atmosphere collide. Set against a blazing sky of molten yellow and orange, the composition feels suspended between catastrophe and communication — a landscape shaped as much by heat and residue as by human intervention.

At the center, a large vessel-like form dominates the scene. Its divided surface — white on one side, muted violet and gray on the other — suggests fracture, duality, or transformation. Thick black contour lines enclose the shape, giving it the weight and presence of machinery or containment, while vertical brushwork running down its center evokes leakage, discharge, or the slow passage of material through time.

Behind and around it, blocky geometric masses read like totemic and skeletal collapsed forms. Their matte darkness absorbs the surrounding light, reinforcing a sense of heaviness and aftermath. The ground plane below dissolves into gray swaths and smeared gestures, resembling ash, smoke, or churned earth.

On the left, a smaller totemic form punctuates the haze. Two red dots glow from its face like warning lights or watchful eyes — tiny but urgent signals within an otherwise muted terrain. These points of color function as visual alarms, suggesting surveillance, hazard, or the persistence of technology within a compromised environment.

Parkum’s brushwork oscillates between solidity and erosion. Thick, deliberate outlines hold forms in place, while scumbled grays and scraped passages imply abrasion, heat damage, and atmospheric interference. The paint surface itself feels weathered, as though exposed to combustion or fallout.

The title frames the image as both residue and transmission. “Ash” speaks to what remains after burning — the material memory of destruction. “Signal” introduces the possibility of warning, communication, or survival amid the debris. Together they suggest a moment when systems fail yet messages persist, when ruin and awareness coexist.

Rather than depicting a specific event, Ash and Signal evokes the emotional terrain of industrial aftermath: heat without flame, structures without function, and the faint but insistent presence of warning lights in a landscape altered by human impact.
-Jonathan Flike

*The title of this work was assigned by Visard Gallery. See less