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Coral-toned palm fronds rise against a deep indigo sky in this large oil on canvas, their fanned leaves catching the …
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Coral-toned palm fronds rise against a deep indigo sky in this large oil on canvas, their fanned leaves catching the last warm light of dusk. Below, a walled terrace opens onto a swimming pool bordered by cypress and potted greenery, rendered in the same rosy palette that washes the whole composition, so that stone, water, and foliage all seem to glow from within. Da Fonseca Ilić builds the scene in flat, confident planes of color rather than fussy detail, letting the silhouettes of the palms pull the eye upward into the darkening blue.
At nearly six feet wide, this is a piece meant to anchor a room, a sunroom, a dining wall, or a stairwell landing where its scale can be felt from across the space. It brings the particular warmth of a North African evening indoors, and rewards a spot where changing daylight can move across its layered color.
Javiera da Fonseca Ilić is a Chilean painter born in Santiago in 1982, now based in Mexico. She paints landscapes that sit between memory and imagination, warm, saturated canvases filled with the energy of places half-remembered and half-dreamed. She begins with photography from her travels, bringing images into the studio and transforming them into something atmospheric and emotional. Originally from Santiago de Chile, she studied Visual Arts at Universidad de Chile and deepened her practice through mentorships with celebrated Chilean artist Eugenio Dittborn. She has presented solo exhibitions in Mexico City, Vancouver, and Zihuatanejo, with work shown at art fairs across Miami, Toronto, San Francisco, New York, and Montreal, and is held in private collections internationally. She is now based in Tulum, Mexico, where she maintains a studio.
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