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Marrakesh II settles into the warmth of golden hour over a Moroccan rooftop, terracotta and blush tones washing over a …
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Marrakesh II settles into the warmth of golden hour over a Moroccan rooftop, terracotta and blush tones washing over a city that seems to glow from within. Palms in copper and salmon rise into a sky caught between storm and gold, while the garden below spills forward in layers of deep green and dusty rose, alive with a restless, tender energy. A terracotta wall at the center holds everything together, quiet and warm against the wildness surrounding it.
Javiera da Fonseca Ilić paints landscapes that sit between memory and imagination, warm, saturated canvases filled with the energy of places half-remembered and half-dreamed. She begins with photography from her travels, bringing images into the studio and transforming them into something atmospheric and emotional. Originally from Santiago de Chile, she studied Visual Arts at Universidad de Chile and deepened her practice through mentorships with celebrated Chilean artist Eugenio Dittborn. She has presented solo exhibitions in Mexico City, Vancouver, and Zihuatanejo, with work shown at art fairs across Miami, Toronto, San Francisco, New York, and Montreal, and is held in private collections internationally. She is now based in Tulum, Mexico, where she maintains a studio.
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