Brown LC7 Outdoor Chair by Charlotte Perriand for Cassina

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Description

Textured brown outdoors lc7 chair designed by charlotte perriand in 1927. Relaunched in 1978.
manufactured by cassina in italy.

designed … Read more Textured brown outdoors lc7 chair designed by charlotte perriand in 1927. Relaunched in 1978.
manufactured by cassina in italy.

designed by charlotte perriand and part of the lc collection by le corbusier, pierre jeanneret and charlotte perriand.

an icon with a versatile and functional soul, the lc7 siège tournant, fauteuil was designed in 1927 by charlotte perriand for her own apartment in the place saint-sulpice in paris. First exhibited at the 1928 salon des artistes décorateurs, it was also shown at the salon d'automne one year later, where it formed part of a collection that charlotte perriand co-created with le corbusier and pierre jeanneret. Upholstered in leather or fabric, this swivel chair, features expanded polyurethane and padded polyester filling for back and seat. The outdoor version features a stainless steel frame finished with powder paints designed for outdoor use and available in five textured colours, and a special fabric polyester yarn cover that replicates the aesthetics of the indoor models. In 2016, the structure of the lc7 siège tournant, fauteuil was updated and this led to its obtaining italian catas certification.

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about the designer:
charlotte perriand (1903-1999) she was born in paris in 1903 and attended the e´cole de l'union centrale des arts décoratifs from 1920-1925. Charlotte perriand designed furniture made of anodized aluminum and chromium-plated steel, showing it at the 1927 "salon d'automne" in paris.
after meeting le corbusier, charlotte perriand worked with him and pierre jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as "équipement de l'habitation" (home equipment) at the 1929 "salon d'automne," where they were widely acclaimed.
in 1930 the union des artistes modernes (uam) was founded in paris, a group that viewed itself as a countermovement challenging such establishment organizations as the "salon d'automne" and also advocated art deco and modernism. From 1931 charlotte perriand showed her own work solo there. In 1937 charlotte perriand and pierre jeanneret collaborated on designing a mountain chalet of sheet aluminum, which they showed at the "exposition internationale des arts et techniques dans la vie moderne" and later they came up with plans for prefab houses made of aluminum.
in 1940 charlotte perriand became a design consultant to the japanese board of trade. She lived in japan until 1946 and from then on charlotte perriand's designs reveal overtones of the japanese feeling for form, as shown by the 1953 chair "synthe'se des arts."

about the manufacturer:
in a continuing dialogue between past, present, and future, cassina has created the i maestri collection, revisiting furnishing designs by the 20th century’s best-known architects, including le corbusier, pierre jeanneret, charlotte perriand, charles rennie mackintosh, gerrit thomas rietveld, franco albini, frank lloyd wright and marco zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 1950s to the present day, ideated by some of the most important international designers. Today cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with the cassina perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authority. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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