Pablo Picasso, Circus Rider (La cavalière et son valet), Nude, Lithograph, 1954

Details

Description

Pablo picasso (1881-1973)

circus rider (la cavalière et son valet)
from the human comedy

colour lithograph
printed by mourlot

year … Read more Pablo picasso (1881-1973)

circus rider (la cavalière et son valet)
from the human comedy

colour lithograph
printed by mourlot

year 1954
dated in the plate (30.i.54) and numbered ii (second drawing of the day)
edition of ca. 2000
size: 26.4 x 35.5 cm

very good condition: brilliant colours, never framed, an old bump in the lower left corner, not affecting the image and enhanced by the photo, complete (not cropped, trimmed\.) - please see pictures

note on condition: our artwork is complete, neither cropped nor trimmed. We insist on that because some people used to crop lithographs from these series in order to take away imperfections: this way, the artwork loses its integrity and even most of its value. We are selling a complete artwork, not crippled, and we show it all - one of the pictures includes the edges. Tip: the small bump, enhanced by the photo, can be easily covered under a mat when framed

this is a real lithograph from 1954, not a reproduction
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picasso and the human comedy - the artist and the muse

la comédie humaine (the human comedy) series represents a profound, diary-like outpouring of creativity from pablo picasso. Produced between november 1953 and february 1954, these 180 drawings were created during a period of deep personal transition following his separation from françoise gilot.

the collection is a theatrical exploration of the relationship between the artist and his muse.

using characters like the aging painter, circus performers, and masked women, picasso examines themes of desire, aging, and the performance of art. The series is celebrated for its playful line work and its honest, often self-deprecating, look at the artist's own identity.
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on this artwork

in this captivating piece, picasso captures the vibrant pageantry of the circus, a theme he revisited throughout his career. A graceful female rider is perched atop a large, minimalist horse, her form rendered with delicate, sweeping lines. Standing beside her is a stout circus valet, or clown, dressed in bold, patterned attire and a tall, striped hat. The composition is framed by a simple red hoop, drawing the viewer into the centre of the performance. Through sparse but masterful use of colour—primary greens, reds, and yellows—picasso explores the contrast between the elegance of the performer and the theatrical artifice of the circus world. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
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