Scighera Table by Piero Lissoni for Cassina

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Piero lissoni scighera table for cassina a line of low tables, in square, oval and rectangular shapes, of different sizes … Read more Piero lissoni scighera table for cassina a line of low tables, in square, oval and rectangular shapes, of different sizes and heights. Base in metal painted matte anthracite. Tops in white carrara marble, black marquina marble, or in glass. Base painted metal. Top marble, tempered float glass. Feet black plastic. A collection of square, oval and rectangular side tables of different sizes and heights. Metal base, matt enamelled in the colours anthracite grey or chestnut brown. The tops are available in white carrara marble, black marquiña marble or in red brick or coffee-coloured glass. Important information regarding images of products: please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor. About the designer: with offices in milan and new york, lissoni & partners has a thirty-year history in developing international projects in the fields of architecture, landscape, interior, product and graphic design, in addition to being responsible for the art direction for some of the most influential design companies. Led by piero lissoni, the practice combines a range of expertise with an holistic and tailored approach that sets it apart, establishing a stylistic code and a visual identity that are clearly and instantly recognizable. The practice’s work is inspired by a sense of rigor and simplicity and is characterized by a regard to detail, coherence and elegance with particular attention to proportion and harmony. Piero lissoni is creative director for alpi, boffi, de padova, living divani, lema, lualdi, porro and sanlorenzo for whom he also designs an extensive range of products. Recognized as one of the masters of contemporary design, he has worked with many international brands including alessi, antrax, atlas concorde, b&b, bonacina 1889, cappellini, cassina, cotto, fantini, flos, glas italia, golran, illy, janus et cie, kartell, kerakoll, kn industrie, knoll, nerosicilia, olivari, salvatori, tecno, viccarbe. Organised around different fields of intervention, the practice comprises lissoni casal ribeiro for masterplans, landscape design, architecture and interior design, lissoni associati for product design, art direction and fit-outs and lissoni graphx for graphic design, visual communication and brand identity, while lissoni new york develops interior design projects for the american market. Completed architectural projects include the grand park hotel in croatia (2019), the restyling of the historic camparino bar in the galleria of milano (2019), the middle house for the swire hotels group in shanghai (2018), the oberoi al zorah beach resort ajman in the uae (2017), the 240-unit condominium oceana bal harbour in miami (2017), the casa fantini hotel on the shores of lake orta (2017), the sanlorenzo yachts sx88 (2017) and sx76 (2018), the conservatorium hotel in amsterdam (2012), the renovation of the historic teatro nazionale in milan (2009) in addition to the corporate headquarters of boffi, cassina, fantini, glas italia, living divani and the sanlorenzo shipyards in la spezia. Current projects include hotel and residences dorottya in budapest, sls lux hotels & residences in washington d. C. , the miami beach ritz-carlton residences, apartments at 45 park place in new york, the hilton tbilisi hotel in georgia and private villas in amsterdam, new york and mumbai. Lissoni’s interest in the art world has brought him to design a range of temporary exhibitions such as the retrospective of the photographer giovanni gastel at palazzo della ragione in milan and curated by germano celant, and the anthology dedicated to the renaissance painter “bernardino luini e i suoi figli” at palazzo reale, also in milan. Lissoni associati is a supporting member of the fondazione palazzo te, a partnership that began in 2018 with the design, graphics and catalogue of the exhibition “tiziano/gerhard richter. Il cielo sulla terra”, followed in 2018 by the design of the exhibition “giulio romano: arte e desiderio”. Since 2015 the studio has been an active supporter of the bagatti valsecchi museum in milan, curating the exhibition fit-outs and becoming an institutional partner in 2017. Piero lissoni has received a series of international awards, including the good design award, the red dot award and the compasso d'oro adi. He is board member of the maxxi national museum for the arts in rome and is visiting professor and part of the advisory board at the politecnico di milano. He also serves as an honorary member of the altagamma international council. Photo by veronica gaido. About manufacture: established in 1927 by cesare and umberto cassina in meda, italy, cassina launched industrial design in italy in the 1950s, based on a totally innovative approach that marked the transition from artisan production to mass production. With a mindset focused on research and innovation, cassina combines technology and long-standing artisan craftsmanship. Memory, research, innovation. Cassina blends traditional skills and superior productivity, meticulous attention to detail and passion, uniqueness and experimentation, wellbeing and sustainability. Today, the company continues to address new lifestyles with the creation of complete, harmonious interior decor solutions that embody the best contemporary design for all areas of the home. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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