Sofa by Le Corbusier

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Le corbusier 2 fauteuil grand confort petit modèle trois places durable a timeless style that has written its own chapter … Read more Le corbusier 2 fauteuil grand confort petit modèle trois places durable a timeless style that has written its own chapter in design history, becoming an icon of global fame. Perfect today in any residential or contract setting. The separation between the metal structure and the cushions is consistent with the principles of rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. Structure frame in tubular steel, polished chrome or painted. Cushion padding in blown recycled polyester fibre. Upholstery fabric or leather a timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the salon d’automne [autumn salon] in paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are available with a conscious approach to the environment. Thanks to the work carried out by cassina lab, born from the collaboration with poli.design at the milan polytechnic, the foam-fill parts, the padding in the cushions and the tubular structure are produced with circular materials and processes. A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the salon d’automne [autumn salon] in paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are available with a conscious approach to the environment. Thanks to the work carried out by cassina lab, born from the collaboration with poli.design at the milan polytechnic, the foam-fill parts, the padding in the cushions and the tubular structure are produced with circular materials and processes. this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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