Vintage Three-Light Brass Candelabra by Klaus Ullrich, Germany, 1950s

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Sculptural and highly distinctive, this rare three-arm candelabra—designed by Klaus Ullrich for Faber & Schumacher—captures the refined elegance and expressive … Read more Sculptural and highly distinctive, this rare three-arm candelabra—designed by Klaus Ullrich for Faber & Schumacher—captures the refined elegance and expressive fluidity of mid-century modern design. Executed in patinated brass, the piece is conceived as a continuous, flowing form. from a central base, two elongated arms extend outward in a sweeping, wing-like gesture, while a third candle holder rises vertically at the center, creating a perfectly balanced tripartite composition. The silhouette is dynamic yet controlled: the structure curves and tapers with remarkable precision, as clearly visible in the side views, where the arms appear to stretch almost organically before resolving into shallow, dish-like candle trays. Each of the three plates is gently concave, designed to catch wax while maintaining a clean, minimal profile. At the center of each tray, a sharply defined conical spike anchors the candle—an elegant and graphic detail that reinforces the piece’s sculptural identity. The surface presents a rich, warm patina with nuanced tonal variations ranging from deep brown to golden highlights. As shown in the close-ups, the brass bears light wear, surface marks, and subtle oxidation consistent with age, enhancing the object’s authenticity and visual depth. The underside and joints reveal a refined construction, with smooth transitions between elements that emphasize the sense of a single, continuous gesture rather than an assembled object. There is a striking tension between horizontality and lift: the outer arms seem to float, while the central support grounds the composition—resulting in a piece that feels both light and architectural. An uncommon and highly decorative object, equally suited as a functional candle holder or as a sculptural centerpiece. Condition Good vintage condition, with visible patina, light scratches, and wear consistent with age and use. No structural issues. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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