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Large Signed Philip Behymer Mid-Century Modern Portrait Museum-Collected Texas Artist 1983
This monumental original oil on canvas by the esteemed …
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Large Signed Philip Behymer Mid-Century Modern Portrait Museum-Collected Texas Artist 1983
This monumental original oil on canvas by the esteemed American artist Philip Behymer is a profound exploration of human connection and psychological depth. Centering on a hyper-realistic portrait of the artist’s young son, the work juxtaposes the tender vulnerability of the subject with an intense and meticulously rendered paisley-patterned backdrop. The composition is a masterclass in texture and color, featuring a vibrant palette of sunset oranges, deep blues, and an impasto-heavy green wall section that creates a nearly three-dimensional quality. The piece reflects Behymer’s unique ability to blend gritty figuration with highly decorative motifs, resulting in a work that feels both intimate and grandly cinematic. As a large-format statement piece, this painting offers the rare opportunity to own a personally significant work by a regional master whose work is increasingly recognized for its contribution to the American modernist canon.
About the Artist
Philip Behymer (1936–2013) was a distinguished American painter and educator whose work is preserved in prestigious permanent collections, including the Mildred Lane Kemper Art Museum and the El Paso Museum of Art. Based in El Paso for the latter half of his career, Behymer became a pillar of the Southwest art community while maintaining a sophisticated, national aesthetic. His paintings are noted for their "gritty and larger than life" quality, often using the human figure as a metaphorical vessel for complex social and personal narratives. As a teacher and a prolific creator, his legacy is defined by a commitment to technical precision and emotional honesty, with his works now appearing as prized acquisitions in museum-tier collections across the United States.
Historical Significance
This painting is a significant artifact of the 1980s Texas Modernist movement and is directly linked to Behymer’s celebrated 1983 exhibition titled "Man Is the Metaphor." This landmark show, curated by Robert Serpa, highlighted the artist’s core thematic exploration of the human condition. The reverse of this canvas bears the exhibition labels for "CAT. NO. 17" and "CRATE 3," confirming its status as a featured work in a gallery or museum retrospective. By capturing his own son as a subject, Behymer provides a bridge between his private life and his public artistic mission, making this piece a foundational example of his most respected period of production.
Provenance and Museum Presence
What distinguishes this work for the serious collector is its impeccable exhibition history and museum-level credentials. Philip Behymer is a listed artist whose primary works are housed in public institutions, ensuring that his market value is supported by historical validation rather than passing trends. This specific portrait, inscribed with "(my son)" by the artist’s own hand, carries a level of provenance that is rarely seen on the open market. It serves as an authenticated link to the 1983 traveling exhibition circuit, representing the height of Behymer's professional and artistic acclaim.
Specifications and Dimensions
Artist: Philip Behymer (1936–2013)
Medium: Original Oil on Canvas
Period: Mid-Century Modern / Texas Modernism
Date: Circa 1983
Art Height: 24 inches
Art Width: 39 inches
Frame Height: 25 inches
Frame Width: 40 inches
Condition Report
The painting is in excellent vintage condition with an authentic age-related patina. The canvas exhibits natural craquelure on the subject’s face and throughout the impasto green wall section, which is characteristic of Behymer’s heavy-handed application of oil pigments. Small, scattered white specks of pigment loss and minor surface scuffs are present within the intricate paisley pattern but do not detract from the visual power of the work. The original artist-made slat frame is intentionally rustic, featuring raw wood and exposed joinery as part of the artist’s gritty, non-bourgeois aesthetic. This frame is a conceptual extension of the artwork and shows honest wear consistent with its 1983 exhibition history, including scuffs and a weathered texture that reinforces the piece's authentic provenance.
Designer’s Note
For the 2026 interior, this Behymer portrait is the ultimate "soul piece" for a Large-Scale Modernism or Dark Academia design scheme. Its horizontal 40-inch profile makes it a perfect anchor for a curated library display or a prominent position above a low-profile walnut credenza. The vibrant reds and blues of the background provide a sophisticated color story that pairs beautifully with brass hardware and mid-century teak furniture. Designers often use these types of museum-pedigree portraits to add a sense of history and intellectual weight to a room, preventing modern spaces from feeling too sterile.
An extraordinary blend of technical brilliance and deep emotional resonance, this portrait by Philip Behymer is a landmark of 20th-century regional modernism. Its large scale, museum-exhibition history, and poignant subject matter make it a distinguished addition to any world-class collection of American art. Ready to serve as the focal point of a sophisticated home, this original oil painting invites its next owner to participate in a storied legacy of American figurative mastery.
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- Dimensions
- 40ʺW × 2ʺD × 25ʺH
- Frame Type
- Framed
- Period
- 1980s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Canvas
- Oil Paint
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Red
- Condition Notes
- The painting is in excellent vintage condition with an authentic age-related patina. The canvas exhibits natural craquelure on the subject’s … moreThe painting is in excellent vintage condition with an authentic age-related patina. The canvas exhibits natural craquelure on the subject’s face and throughout the impasto green wall section, which is characteristic of Behymer’s heavy-handed application of oil pigments. Small, scattered white specks of pigment loss and minor surface scuffs are present within the intricate paisley pattern but do not detract from the visual power of the work. The original artist-made slat frame is intentionally rustic, featuring raw wood and exposed joinery as part of the artist’s gritty, non-bourgeois aesthetic. This frame is a conceptual extension of the artwork and shows honest wear consistent with its 1983 exhibition history, including scuffs and a weathered texture that reinforces the piece's authentic provenance. less
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