Vin Sculptras, Human Fog, 2016, Oil on Canvas

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Description

Human Fog represents humanity and its limitations in communication through a minimal color palette and white dots. These limitations are … Read more Human Fog represents humanity and its limitations in communication through a minimal color palette and white dots. These limitations are caused by the chaos of life. The abundance of white refers to fog and symbolizes the deficient communication between individuals, ultimately leading to isolation.
Human Fog is a minimalist work carrying a universal message.
The paintings were created through an intensive and continuous process: application of oil paint, drying, removal, reapplication, drying, removal, and retouching.
The result is a unique and impressive body of work, characterized by deep layers and a strong visual presence.

Artist:
Vincent Schuijren, born in 1977 in Maastricht, Netherlands, is a sculptor and painter whose work reflects a relentless search for new forms of expression. In his studio, where open tubes of paint and works in progress fill the space, his presence is manifested by a simple jacket paired with paint-stained work trousers. During his work, he regularly smokes a philosophical cigarette, an instrument that allows him to open his creative connection and receive and experience the universe.
with training as a professional photographer, Vincent has developed a keen sense of composition and light, which he effortlessly translates into his paintings to create a timeless universe all his own.
Sometimes, subtle painted monsters appear as relativizing main figures and as outlets for his personal experiences. The bipolar disorder he lives with acts as an internal catalyst: he allows his work to emerge as a translation of what he receives and experiences.
His works are the result of an intense process lasting approximately six months, with some paintings containing several kilos of oil paint. They also reveal a marked sculptural power, where forms, volumes, and textures confer a tangible, almost physical presence.

Vincent has exhibited in several countries, including Germany, Belgium, Spain, Italy, and the Netherlands, notably at the Museum aan het Vrijthof in Maastricht.
All the works presented here have previously been exhibited in museums. His work avoids romantic clichés such as fields of poppies and oscillates between abstraction, figuration, and minimalist expression, always within his own distinctive decorative language. This piece has an attribution mark,
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