Details
Description
Howard Terpning (American, b. 1927)
"Crossing at the Ford," 2002
Textured giclée on canvas
Edition 5 of 450 — very …
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Howard Terpning (American, b. 1927)
"Crossing at the Ford," 2002
Textured giclée on canvas
Edition 5 of 450 — very early in the edition
Double-signed: hand-signed in ink with edition number (lower right) and plate signature with copyright and date within the image field
Published by The Greenwich Workshop
A dynamic scene depicting three Crow warriors fording a river on horseback as part of a war party — a subject Terpning is celebrated for rendering with unmatched authenticity and energy. The lead rider's lance, the splash of water around the horses' legs, and the eroded riverbank bluffs in the background all showcase Terpning's extraordinary command of light, movement, and ethnographic detail. The textured canvas surface gives the piece the dimensional quality and presence of an original painting.
Professionally framed in a substantial rustic Western-style frame with burl-textured finish and dark inner liner. Brass title plaque reading "Crossing at the Ford — Howard Terpning" is affixed to the lower rail. Edition is sold out at publisher.
Howard Terpning is an Emeritus member of the Cowboy Artists of America with over forty awards from that organization, and a recipient of the Prix de West, the Hubbard Art Award for Excellence, and the Lifetime Achievement Award from the Autry National Center. His original oils have sold for nearly $2 million at auction.
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- Dimensions
- 35ʺW × 2ʺD × 25ʺH
- Frame Type
- Framed
- Period
- 2000 - 2009
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Giclée
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Blue
- Condition Notes
- Very good condition. Giclée ink layer is crisp and saturated with no fading, yellowing, or discoloration. The production-applied texture (simulated … moreVery good condition. Giclée ink layer is crisp and saturated with no fading, yellowing, or discoloration. The production-applied texture (simulated brushwork) is intact and consistent throughout, particularly visible in the water and sky areas. No tears, punctures, scratches, or surface abrasions. No evidence of staining, water damage, or foxing. The embellishment/texture extends to the edges of the canvas within the frame rabbet. less
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