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Antique 1899 Kang-Sing Chiao Hand-Colored Photograph - The Long Corridor, Summer Palace Beijing - Rare Chinese Imperial Antiquity
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Antique 1899 Kang-Sing Chiao Hand-Colored Photograph - The Long Corridor, Summer Palace Beijing - Rare Chinese Imperial Antiquity
Own a definitive piece of Imperial Chinese history with this museum-quality, hand-colored silver gelatin photograph, captured circa 1899 by the renowned Chinese master photographer Kang-Sing Chiao. The image offers a breathtaking, deep-perspective view of the iconic Long Corridor at the Summer Palace in Beijing (Peking). This piece is a technical tour de force of the late Qing Dynasty, featuring delicate hand-tinting that brings a vivid, lifelike vibrancy to the thousands of intricate traditional paintings adorning the corridor’s ceiling beams. The masterful artistry of the tinting highlights the specific jade-greens and cinnabar reds that defined the Empress Dowager Cixi’s personal aesthetic. This is not merely an antique photograph; it is a primary historical document capturing the opulence of the Forbidden City’s summer retreat just prior to the turn of the century. It serves as an intellectual and visual anchor for a high-end Chinoiserie collection, a scholar's library, or a premier gallery wall.
About the Artist: Kang-Sing Chiao
Kang-Sing Chiao was among the most elite photographers active in Beijing during the late 19th and early 20th centuries. His studio was highly sought after for documenting the final transition of the Chinese Empire into the modern age. Chiao’s works are exceptionally rare on the secondary market and are prized by curators for their technical precision. He was a pioneer in bridging the gap between early Western photography and traditional Chinese painting, using a masterful application of hand-tinting that required a painter’s eye for color and a technician’s hand for the silver gelatin process. His legacy remains a cornerstone of early Asian photography.
Historical Significance and Provenance
This photograph is accompanied by a fascinating, handwritten period note on the reverse that provides essential historical context: "A portion of a long covered walk built by the late Empress of China in her summer home at Peking. Each overhead support had an original oil painted landscape all different from each other. The walk was half a mile long." This documentation is further elevated by a verified gift inscription from George W. Coleman (a prominent 19th-century figure) to Mr. and Mrs. John J. Sullivan, preserved on the original backing. This chain of ownership transforms the piece into a documented social artifact, representing the cultural exchange between the East and Western high society at the end of the Victorian era.
The Art of the Hand-Tinted Silver Gelatin Print
Before the advent of color film, the "hand-colored" process was an elite artisanal craft. In this 1899 specimen, pigments were applied manually to the silver gelatin print, allowing the photographer to emphasize the architectural grandeur of the Summer Palace. The technique required the artist to work with microscopic precision to ensure the colors didn't obscure the photographic detail beneath. The result is an image that possesses an ethereal, painterly quality—the "Jade Garden" hues of the trees and the architectural pigments are rendered with a softness that modern digital prints simply cannot replicate.
Specifications and Dimensions
Artist: Kang-Sing Chiao (Chinese, active late 19th Century)
Date: Circa 1899
Medium: Hand-Colored Silver Gelatin Photograph
Subject: The Long Corridor (Changlang), Summer Palace, Beijing
Framing: Original Gold-Tone Gilt Wood Frame
Frame Size: 21.25 inches W x 17.25 inches H
Image Sight Size: 15 inches W x 11 inches H
Provenance: Signed Gift Inscription from George W. Coleman
Condition Report
This photograph is in very good antique condition, having been remarkably well-preserved for over 125 years. The hand-tinted colors remain vibrant and show no significant fading or UV damage, a testament to the quality of the original pigments. The paper surface is exceptionally clean, free of the foxing or staining typically associated with late 19th-century prints. The original gold-tone wood frame exhibits a handsome, age-appropriate patina with minor chips to the gilding, which adds to its authentic period character and historical "soul."
Designer’s Note: Incorporating Imperial History
Antique Chinese photography is currently seeing a massive resurgence in the "Grandmillennial" and "New Chinoiserie" design movements. This Kang-Sing Chiao piece is the ultimate "power focal point" for a formal study or a sophisticated entryway. Its sepia-toned base and vibrant green tints harmonize beautifully with bamboo-style furniture, lacquered screens, or deep navy walls. To highlight the deep perspective of the Long Corridor, consider hanging this at eye level in a hallway or library where the viewer can truly "walk into" the history of the Qing Dynasty.
A rare intersection of Early Photography and Imperial Chinese Art, this Kang-Sing Chiao original is a blue-chip acquisition for the serious collector. It offers a tangible, colorful window into the final years of the Chinese Empire, backed by the kind of primary-source provenance and handwritten history that is the hallmark of a world-class collection. It is an investment-grade artifact that brings the weight of centuries into the modern home.
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- Dimensions
- 21.25ʺW × 1ʺD × 17.25ʺH
- Frame Type
- Framed
- Art Subjects
- Architecture
- Landscape
- Interiors
- Period
- Late 19th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Gelatin
- Watercolor
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Green
- Condition Notes
- This photograph is in very good antique condition, having been remarkably well-preserved for over 125 years. The hand-tinted colors remain … moreThis photograph is in very good antique condition, having been remarkably well-preserved for over 125 years. The hand-tinted colors remain vibrant and show no significant fading or UV damage, a testament to the quality of the original pigments. The paper surface is exceptionally clean, free of the foxing or staining typically associated with late 19th-century prints. The original gold-tone wood frame exhibits a handsome, age-appropriate patina with minor chips to the gilding, which adds to its authentic period character and historical "soul." less
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