Hughes-Stanton, Post-Impressionist Winter Snow Path, 1890s-1910s, Oil Painting, Framed

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A post-impressionism winter snow path landscape painting with melancholic background and several figures ahead by sir herbert edwin pelham hughes … Read more A post-impressionism winter snow path landscape painting with melancholic background and several figures ahead by sir herbert edwin pelham hughes stanton (1870-1937) and an ornate and gilt frame.

hughes-stanton signed on lower left.

sir herbert edwin pelham hughes-stanton was born in chelsea, london, in 1870.
he was a british watercolor and oil painter, predominantly of landscapes, elected an associate of the royal academy in november 1913 and a full royal academician and knighted in 1923.
he was an officier l’ordre leopold ii and a member of the royal watercolour society and its president from 1920 until 1936.
his first paintings were exhibited in 1886.
exhibited regularly at the paris salon, royal academy (from 1897), grosvenor gallery (from 1887), new gallery, and royal institute of oil painters, and later at the fine art society.
he was awarded gold medals at a paris salon in 1907 and 1908.
hughes-stanton's works are (or have previously been) held by collections including the tate; the welsh national gallery; national musée, buenos aires; musée royal, florence; musée modern, rome; barcelona museum; royal gallery, tokyo; sydney national gallery; adelaide national gallery; melbourne museum; auckland museum; and the wellington gallery; and in the permanent galleries of manchester, liverpool, bradford, brighton, aberdeen and oldham.
a pasturage among the dunes, exhibited in new gallery, was purchased for the chantry bequest in 1908.
hughes-stanton died in london, in 1937. A memorial to him lies in st james's church, piccadilly.

frame: 14,96 in (38 cm) x 12,79 in (32,5 cm)
canvas: 10,6 in (27 cm) x 8,85 in (22,5 cm)

perfect for anchoring a maximalist gallery wall yet equally striking as a stand-alone accent piece.

take into account that the colors on the items may vary depending on the type of lighting and the type of screen from which you see the images. This piece has an attribution mark,
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