Charles Long, Holiday Situations #5, 1999

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(female nude manikin beneath a white sculpture between spruces ), 1999 HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, … Read more (female nude manikin beneath a white sculpture between spruces ), 1999 HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (female nude manikin beneath a white sculpture between spruces ), 1999 in the colection of Harvard University art museum where it is described as aInk jet digital print Born in 1958 in Long Branch, New Jersey, Long currently lives and works in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University. See less