Details
Description
Antique Emily F. Mann Floral Still-Life Watercolor Triple Matted Gilt Framed
This exquisite original watercolor by the listed American artist …
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Antique Emily F. Mann Floral Still-Life Watercolor Triple Matted Gilt Framed
This exquisite original watercolor by the listed American artist Emily F. Mann captures a delicate bouquet of spring blossoms nestled within a deep teal-glazed bowl. Executed with the fluid and transparent washes characteristic of the late nineteenth-century American watercolor tradition, the piece features a vibrant yet soft palette of rose pink, soft lemon yellow, and creamy white. The artwork is showcased in a sophisticated custom triple matting, featuring a thin rose-pink inner accent that expertly draws the eye to the petals' colors. The painting is housed in its classic gold-gilt wood frame, featuring a traditional rope twist motif. Signed by the artist in the lower right, this painting serves as a quintessential example of turn-of-the-century floral Impressionism, making it an ideal acquisition for those looking to add a touch of timeless elegance or a Grandmillennial aesthetic to their interior collection.
About the Artist
Emily F. Mann was a noted American female artist active during the late nineteenth and early twentieth centuries, well known for her delicate botanical studies and floral still-life compositions. Working during a period when watercolor was gaining prestige as a primary fine art medium in the United States, Mann developed a style that balanced botanical accuracy with a soft Impressionistic flair. Her work is celebrated for its luminosity and the sensitive way she handled light and shadow within floral forms. As a female artist of her era, her professional success and the survival of her signed works represent an important contribution to the history of American women in the arts.
Historical Significance
This piece reflects the height of the American watercolor movement, which flourished between 1860 and 1920. During this time, floral still-life painting was a favored subject for artists who wished to explore the play of light on organic textures and on transparent glass or glazed ceramics. The use of a teal-glazed vessel in this composition was a popular design choice of the period, reflecting the influence of the Arts and Crafts movement and a fascination with artisanal pottery. This specific work is a beautifully preserved artifact of the Victorian and Edwardian transition period, showcasing the refined domestic tastes and the high level of formal art education available to professional women painters at the turn of the century.
Specifications and Dimensions
Artist: Emily F Mann
Type: Original Watercolor Painting
Style: Floral Impressionism
Frame Size: 21.75 inches wide by 1 inch deep by 18.25 inches high
Sight Size: 13.75 inches wide by 10 inches high
Framing: Custom Triple Matted and Gilt Wood Frame
Signature: Signed Lower Right
Condition Report
This antique watercolor is in excellent condition with the original pigments remaining vibrant and showing no signs of fading, foxing, or water damage to the paper. The professional triple matting is clean, secure, and free of any visible discoloration. The classic gold-gilt wood frame is structurally sound and retains its original luster. There is a minor chip in the gilt finish at the bottom center edge, exposing the traditional red clay bole beneath. This small mark is consistent with the age of an authentic antique frame and does not detract from the overall aesthetic presentation. The glass glazing is intact and clear.
Designers Note
This Emily F Mann watercolor is a perfect solution for a designer looking to soften a room with authentic historic charm. The teal and rose color palette is incredibly versatile and works beautifully in a bedroom, a formal dining area, or as a central piece on a gallery wall. I specifically recommend this for a Grandmillennial or Traditional style interior, where the rope-twist gilt frame can coordinate with other classic gold accents. The triple matting adds a sense of depth and luxury, making this relatively small work feel like a substantial and important focal point on the wall.
Authenticity and Provenance
The signature of Emily F Mann on this original work provides a verifiable link to the nineteenth-century American art market. This piece also features a historical gallery label on the reverse, which adds a layer of professional provenance for the serious collector. Original watercolors of this age that have been kept away from direct sunlight and moisture are increasingly difficult to find, particularly when they remain in their period-appropriate high-quality framing. This is a collector-grade piece that has been expertly maintained to preserve its artistic integrity for future generations.
The Antique Emily F Mann Floral Still-Life Watercolor is a stunning marriage of fine art and period framing. With its luminous color palette and the prestige of a listed American artist, this painting offers an opportunity to own a piece of nineteenth-century floral history. Whether you are a dedicated collector of American women artists or a decorator seeking a sophisticated botanical accent, this expertly framed watercolor is ready to bring historic elegance and floral beauty to your next design project.
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- Dimensions
- 21.75ʺW × 1ʺD × 18.25ʺH
- Frame Type
- Framed
- Art Subjects
- Botanic
- Still Life
- Period
- Late 19th Century
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Giltwood
- Glass
- Paper
- Watercolor
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Gold
- Condition Notes
- This antique watercolor is in excellent condition with the original pigments remaining vibrant and showing no signs of fading, foxing, … moreThis antique watercolor is in excellent condition with the original pigments remaining vibrant and showing no signs of fading, foxing, or water damage to the paper. The professional triple matting is clean, secure, and free of any visible discoloration. The classic gold-gilt wood frame is structurally sound and retains its original luster. There is a minor chip in the gilt finish at the bottom center edge, exposing the traditional red clay bole beneath. This small mark is consistent with the age of an authentic antique frame and does not detract from the overall aesthetic presentation. The glass glazing is intact and clear. less
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