Sofía Cristina Jiménez, Silver Inflatable Llama in an Andean Mountain Landscape, Acrylic Painting, 2025

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Acrylic painting depicting a silver inflatable llama positioned within a high-altitude Andean mountain landscape, examining the interaction between artificial imagery … Read more Acrylic painting depicting a silver inflatable llama positioned within a high-altitude Andean mountain landscape, examining the interaction between artificial imagery and remote natural environments. This work belongs to the Plastic Nature series, in which Sofía Cristina Jiménez situates inflatable animal forms within ecosystems traditionally associated with geographic extremity and ecological specificity. The composition presents a metallic white llama rendered as a balloon-like figure, standing against a backdrop of steep, dark rock formations and low alpine vegetation. The reflective surface of the inflatable contrasts with the dense textures of stone, grass, and cloud-covered sky, establishing a formal relationship between synthetic materiality and geological permanence. The scene is constructed as a frontal, stable presence rather than an action-based narrative. The llama occupies the landscape as an isolated figure, visually anchored yet materially incongruent with its surroundings. This spatial arrangement emphasizes contrast without dramatization, allowing the artificial object to exist within the environment as a quiet anomaly. The mountainous setting frames the figure and reinforces the notion of scale, situating the inflatable form within a context associated with altitude, endurance, and territorial specificity. The original title given by the artist is Llama al Sol Plastic Nature XIX, situating the work within an ongoing investigation that employs inflatable imagery as a means of addressing the expansion of synthetic materials into high-mountain ecosystems. Acrylic on Belgian linen canvas. Unframed. Ready to hang. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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