Details
Description
Exceptional late 19th-century reverse glass painting, executed on a silvered mirror ground and enhanced with genuine mother-of-pearl inlay. The romantic …
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Exceptional late 19th-century reverse glass painting, executed on a silvered mirror ground and enhanced with genuine mother-of-pearl inlay. The romantic architectural scene depicts classical ruins under a moonlit sky, rendered in the tradition of European capriccio landscapes.
The artist employed an advanced decorative technique combining verre églomisé (reverse painting on glass) with hand-applied nacre inlay, visible in the moon and architectural highlights. These shell elements create a luminous, iridescent effect that shifts subtly with changing light—an intentional luxury detail rarely seen in surviving examples.
The painting is housed in an ornate carved wood frame with an aged gilt finish, consistent with late 19th-century European craftsmanship. Original construction details and age-appropriate wear throughout support the period attribution.
This piece is highly decorative and visually striking, equally suited for traditional, eclectic, or curated antique interiors.
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- Dimensions
- 22.25ʺW × 1.5ʺD × 18.5ʺH
- Styles
- Neoclassical
- Frame Type
- Framed
- Art Subjects
- Architecture
- Botanic
- Period
- Late 19th Century
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Glass
- Mother-of-Pearl
- Paint
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Green
- Condition Notes
- Good antique condition. Backlit inspection confirms hand-cut mother-of-pearl inlay beneath the reverse-painted glass, a rare decorative technique used in late … moreGood antique condition. Backlit inspection confirms hand-cut mother-of-pearl inlay beneath the reverse-painted glass, a rare decorative technique used in late 19th-century European glass works. Age-related wear throughout, including areas of paint loss, silvering degradation, and surface patina consistent with the medium and age. Some separation and flaking visible to the reverse-painted layers, as commonly found in historic glass works. Frame shows wear, losses, and patina appropriate to age. Structurally sound and stable for display. less
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