Wall Sculpture attributed to Anna Petrus for Näfveqvarns Bruk, Sweden, 1927

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This powerful and beautifully modeled lion mask wall sculpture is an exceptional work by Anna Petrus (1886–1949), one of the … Read more This powerful and beautifully modeled lion mask wall sculpture is an exceptional work by Anna Petrus (1886–1949), one of the most distinctive sculptors of the Swedish Grace movement. Produced at Näfveqvarns Bruk around 1927, the piece exemplifies the period’s synthesis of classical inspiration, sculptural force, and refined industrial craftsmanship. Cast in iron, the lion’s face is rendered with remarkable depth and vitality. The expressive eyes, flowing mane, and commanding presence give the sculpture a strong architectural character, clearly intended to function as both ornament and symbol. Lion masks such as this were often conceived as façade or wall-mounted elements, drawing on ancient and Renaissance precedents while reinterpreted through the restrained elegance of Swedish Grace. The surface shows a rich, dark patina developed over time, enhancing the sculptural modeling and lending the piece a sense of gravitas and authenticity. Despite minor condition issues consistent with age and original architectural use, the sculpture retains its striking visual impact. According to provenance information, the sculpture originally adorned a building on Väddö in the Stockholm archipelago, later remaining within the same family before being acquired by the present owner — a history that further underscores its architectural and cultural significance.

Artist: Anna Petrus (Sweden, 1886–1949) Producer: Näfveqvarns Bruk Date: circa 1927 Material: Cast iron Dimensions: 29 × 27 cm, depth approx. 9.5 cm Style: Swedish Grace Provenance: Originally from a building on Väddö, Stockholm archipelago A rare and compelling sculptural object, combining monumental expression with refined Nordic classicism — an outstanding example of Swedish Grace and a highly desirable work by Anna Petrus. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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