1959 Jean Carzou Lithograph "Le Remblai"

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Original lithograph after the painting "Le Remblai" (The Embankment) by Jean Carzou, published in the 1959 monograph "L'Apocalypse" by André … Read more Original lithograph after the painting "Le Remblai" (The Embankment) by Jean Carzou, published in the 1959 monograph "L'Apocalypse" by André Sauret and printed by Mourlot Frères in Paris. Sheet size: 12-1/2 x 19-1/2 inches; print size: 11-1/2 x 16-1/4 inches; center fold as issued with verso text. Mint condition new old stock, taken from a complete Carzou monograph "L'Apocalypse".

"Le Remblai" depicts an embankment or raised structure cutting across a sparse landscape. The work emphasizes tension, isolation, and human attempts to impose order on nature, reflecting Carzou’s recurring themes of modern civilization, vulnerability, and the uneasy balance between construction and environment.

L’Apocalypse is a deluxe monograph in which the artist Jean Carzou interprets the biblical Book of Revelation through a series of dramatic drawings and compositions, published by André Sauret, a French publisher known for high-quality art books. Rather than retelling the text in a literal or narrative way, Carzou offers a visual meditation on Revelation’s major themes: the end of the world, judgment, chaos, and the fragile fate of humanity. His imagery is marked by sharp, architectural lines, skeletal cities, and distorted human figures, creating a sense of tension and impending collapse. The scenes often feel timeless—less about a specific religious prophecy and more about modern anxieties, such as war, destruction, and moral breakdown. Carzou’s style is symbolic rather than graphic: angels, beasts, and apocalyptic events are suggested through abstraction and structure instead of detailed action. This gives the work a poetic and philosophical tone, emphasizing fear, silence, and inevitability rather than spectacle. Overall, L’Apocalypse is considered a major example of 20th-century illustrated books, blending sacred text with modern artistic expression. It reflects Carzou’s broader concern with civilization under threat and stands as both a spiritual and humanistic interpretation of the end times.

Mourlot Frères (also know as Atelier Mourlot) is a famous French lithographic print studio founded in Paris in 1852 by François Mourlot and later run by his descendants, most notably Fernand Mourlot in the mid to late 20th Century. The atelier became world-renowned for producing high quality fine art lithographs for some of the most important modern artists, including Picasso, Matisse, Chagall, Miró, Carzou, Braque, and Léger. These prints were made using authentic fine art lithographic techniques, typically with direct involvement from the artist, and are particularly collectible prints.

Jean Carzou (1907-2000), was born in Syria to an Armenian family. Carzou created his name from the first syllables of his birth first name and surname (Karnik Zouloumian). He moved to Paris in the early 1920s to study art and architecture, and in 1925 he graduated from the Paris School of Architecture. However, he abandoned his pursuit of architecture for fine art, resorting to work as a street artist painting caricatures and portraits to support himself. His art became noticed, providing Carzou with a steady income from his sketches of politicians and public figures that were published in Paris newspapers. Through his line drawings and engravings he became well known as an illustrator for some of the 20th century's most important writers, including Hemingway, Camus, Ionesco and Rimbaud. Carzou's works adorn opera houses and chapel walls, and his paintings are in the permanent collection of renowned art museums. Over the course of his career, Carzou received many honors. He was a member of France's Academie des Beaux-arts, and decorated with the National Order of Merit, three Hallmark Prizes for painting, the Grand Prize of Europe, and the Grand Prize of the Ile de France. In 1976, Carzou became the first living artist to have his work appear on a French postage stamp. See less