Fruit Stand by Gio Ponti, 1930s

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Description

A remarkably elegant and historically charged silver-plated fruit stand / centerpiece designed by gio ponti for arthur krupp milano in … Read more A remarkably elegant and historically charged silver-plated fruit stand / centerpiece designed by gio ponti for arthur krupp milano in the 1930s, originally commissioned for the famed hotel royal in riccione. Pieces from this commission are exceptionally rare, and this example distills ponti’s early decorative sensibility with a poetic balance of modern rigor and delicate italian liberty curves. The form is both architectural and fluid: a flared conical base supports a wide, shallow bowl with a beautifully aged surface, while the handle rises in three slender parallel arcs that reunite at the top with two small sculptural spheres — a subtle decorative gesture emblematic of ponti’s early vocabulary. Every angle reveals a new detail: the elegant bends of the handle, the refined welds, the gentle hammering and textural variations, all softened by the extraordinary patina acquired over nearly a century. The underside bears the original krupp milano marking, confirming provenance and authenticity. As with all silver-plated pieces from this prestigious hotel commission, the finish shows a naturally rich and untouched patina — never polished, preserving the integrity and depth that collectors seek. A piece that transcends function to become a sculptural statement, perfect as a centerpiece, fruit stand, or displayed simply as a collectible object of historical italian design. Dimensions: height with handle: 32 cm diameter of bowl: 25 cm base diameter: 11,5 cm condition: beautiful untouched vintage patina consistent with age and use. No restorations. Solid, stable, and full of character. A museum-worthy object by gio ponti, with rare hotel provenance and exquisite decorative presence. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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