Paul Philippe, The Awakening, 1920s-1940s, Gilt Bronze

Details

Description

The sculpture is a nude female figure, cast in bronze with a golden or burnished (bronze) patina. It is mounted … Read more The sculpture is a nude female figure, cast in bronze with a golden or burnished (bronze) patina. It is mounted on a trapezoidal base of veined marble (the reddish-brown marble visible in the photographs). The woman is depicted in a dynamic and expressive pose.

- She stands, slightly arched backward or stretched out.

- Both arms are raised above her head, with her left hand holding or gently touching the back of her neck and her right arm extended upward, palm open, in a gesture of calling or awakening.

- The overall posture expresses a movement of awakening, a morning stretch, or a stylized dance, capturing sensuality and grace.

- The treatment of the body is idealized yet realistic, emphasizing feminine curves with a smooth, glossy surface typical of bronze casting.

- This specific model, often called "The Awakening," is one of Paul Philippe's best-known creations.

2. Artistic Movement:

Art Deco. Paul Philippe's work, particularly this sculpture, is primarily part of the Art Deco movement (1910s-1930s), with influences from Art Nouveau in his earlier works.

Arguments and Justification:

2.1. Theme of the Stylized Female Nude:

- The female nude is a central motif of Art Deco, often linked to dance and the sexual liberation of the Roaring Twenties.

- The pose is theatrical and elegant, emphasizing line and silhouette (a key feature of Art Deco), although the treatment of the body is softer than the more extreme geometric forms of movement.

2.2. Materials and Finish: The use of bronze (often gilded or patinated) combined with a veined marble base is a hallmark of luxury Art Deco decorative sculpture. Precious or decorative materials were favored.

2.3. Dynamism and Emotion: Unlike Art Nouveau, which focuses on organic and fluid forms (whiplash curves), Art Deco favors a refined dynamism and a precise, elegant sense of movement. The stretching or dancing pose, frozen at its peak, illustrates this pursuit of stylized vitality.

2.4. Context of the Work:

Paul Philippe created the majority of his most famous sculptures, such as "L'Éveil" (The Awakening) and his figures of dancers (inspired in particular by the Ballets Russes), in the 1920s, the height of the Art Deco style.

He specialized in chryselephantine (bronze and ivory) and bronze sculptures of young women in seductive poses, a style typical of Art Deco sculptors like Demeter Chiparus or Ferdinand Preiss.

3. Artist Biography:

Paul Philippe (1870-1930) Paul Philippe was a French sculptor (sometimes mentioned as having been born in Berlin or Poland, but active in France) of the late 19th and early 20th centuries.

- Training: He arrived in Paris around 1900 and studied sculpture at the École des Beaux-Arts under the direction of Antonin Larroux (1859-1913).

- Career: He exhibited successfully at the Salons of the Société des Artistes Français between 1902 and 1909. He worked with several renowned foundries, including Les Neveux de Jules Lehmann, Rosenthal & Maeder (R.U.M.), and Goldscheider.

- Style: He developed a distinctive style of figurative sculptures primarily depicting young women, often nude, dancers, or exotic figures, in graceful and expressive poses.

- Materials: He is particularly known for his works in bronze and chryselephantine (bronze and ivory), which were highly prized during the Art Deco period.

- Major Works: His most famous pieces include "L'Éveil" (The Awakening) and his numerous variations of "Danseuse Russe" (Russian Dancer) or "Danseuse Orientale" (Oriental Dancer).

- Recognition: His work was widely appreciated during his lifetime and continues to be sought after by Art Deco collectors today. His work is notably represented at the Museum of Art Deco in Moscow. He died mysteriously in 1930. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
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