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Description
The Concerto unfolds like a visual symphony, where each stroke behaves like a musical note rising in the air. Tall, …
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The Concerto unfolds like a visual symphony, where each stroke behaves like a musical note rising in the air. Tall, elongated forms crowned with vibrant red ovals stand like instruments in mid-performance, their lines trembling upward as if vibrating with sound. Around them, bursts of color — turquoise, yellow, orange, emerald, deep blue — sweep across the page and interlace with dynamic black loops that echo movement, rhythm, and breath.
At the left, a cluster of densely layered strokes expands outward like a crescendo, its warm reds and cool blues blending into a fan-shaped explosion. The center rises with vertical gestures, airy and translucent, suggesting rising harmonics or voices woven together. To the right, softer clusters bloom like the delicate ending of a musical phrase, completing the composition with a shimmering sense of balance.
The whole piece carries a feeling of motion — a performance frozen mid-air — where every line swirls with spontaneity, every color resonates with energy, and each overlapping mark becomes part of a larger orchestration.
I love it because it truly behaves like a piece of music turned into color — a full concerto on paper. The forms seem to sing, rise, and collide in harmony, just like instruments in conversation. There is both chaos and structure, improvisation and clarity, and that blend captures the essence of creation for me. When I look at it, I feel rhythm, movement, and the joy of pure expression.
Materials
Oil markers and acrylics on paper, 18 × 24 in.
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