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n the Train is an abstract composition built from layered cobalt, ultramarine, and Prussian blue fields intersecting with sharp planes … Read more n the Train is an abstract composition built from layered cobalt, ultramarine, and Prussian blue fields intersecting with sharp planes of chartreuse, deep black, and small calibrated accents of white and red. The architecture of the piece is constructed through opposing gestures: broad diagonal sweeps collide with rectilinear modules, while thin white arcs introduce movement like the unmistakable rhythm of a train in motion. Areas of scumbled color allow the blues to breathe, while the yellow forms carve out structural intervals that feel like windows passing by at high speed. I love it because the painting captures that sensation of traveling—being between places, between thoughts—where the world becomes a sequence of light, shadow, and shifting perspectives. It feels both kinetic and meditative, like a landscape glimpsed through a moving window but translated into pure geometry and color. The work has a dynamic push-pull: dense blues recede, bright yellows advance, creating a pulse that keeps the eye circulating across the surface. Created with acrylic paint and oil markers on canvas, the textures preserve every gesture, making the painting feel alive and in permanent motion. See less
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