Sol Lewitt Black Gouaches 1992 Rare Signed Copy

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Sol LeWitt (1928-2007)
Black Gouaches,1992
Les Nouvelles Éditions Séguier, Stéphane Natkin. Digital Arts Gallery. 1992.
Large in-4 (14.5x11.8 in.), illustrated … Read more Sol LeWitt (1928-2007)
Black Gouaches,1992
Les Nouvelles Éditions Séguier, Stéphane Natkin. Digital Arts Gallery. 1992.
Large in-4 (14.5x11.8 in.), illustrated cardboard cover which contains a leporello of 182,6 in. in a slipcase. One sheet folded in 32 images.
One of the first hundred copies numbered in Roman numerals, THE ONLY ONES TO BE SIGNED by Sol Lewitt.

Provenance : Mr. Yves Toutut from the Parisian library “Le XXe siècle et ses sources” (The 20th Century and its Sources).


Sol LeWitt (1928-2007) was an American artist and a key figure in the Minimalist and Conceptual Art movements. Born in Hartford, Connecticut, LeWitt studied art at Syracuse University and later worked as a graphic designer for architect I.M. Pei and as a receptionist at the Museum of Modern Art (MoMA) in New York, where he befriended artists like Robert Ryman, Dan Flavin, and Robert Mangold.

LeWitt's artistic approach emphasized the idea over the physical object, as outlined in his influential texts "Paragraphs on Conceptual Art" (1967) and "Sentences on Conceptual Art" (1969). He is renowned for his *Wall Drawings*, geometric structures created by following precise instructions, often executed by assistants. This approach challenged traditional notions of authorship and artistic expression.

LeWitt's work includes "Structures", modular sculptures exploring geometric forms, and "Wall Drawings", site-specific installations that vary with each presentation. His art has been exhibited globally, including at MoMA, the Tate Gallery, and the Centre Pompidou.

Sol LeWitt's "Black Gouaches" (1992)

"Black Gouaches" is a unique artist's book created by Sol LeWitt in collaboration with Les Nouvelles Éditions Séguier and Stéphane Natkin. This work exemplifies LeWitt's minimalist aesthetic and his exploration of geometric forms.

The book features a series of black gouache paintings on paper, presented in a leporello format, which unfolds to reveal a continuous, 4.64-meter-long composition. The accordion-fold design allows the viewer to engage with the work in a physical and interactive way.

LeWitt's use of black gouache creates a sense of depth and texture, while the geometric patterns and shapes evoke a sense of rhythm and repetition. The work's simplicity and elegance are characteristic of LeWitt's style, which often explored the relationship between form, space, and perception.

The edition was published in a limited quantity, making it a rare and valuable example of LeWitt's work in this medium. The inclusion of a slipcase adds an element of luxury and protection to the publication.

"Black Gouaches" showcases LeWitt's ability to push the boundaries of traditional art forms and explore new modes of expression. This work demonstrates his continued innovation and creativity in the 1990s, solidifying his position as a leading figure in the development of Conceptual Art.

LeWitt's influence extends beyond his art, as he redefined the relationship between idea, execution, and artist. His legacy continues to inspire artists, and his works are highly valued in the art market.


Sol LeWitt's works are showcased in prominent museums and collections globally, solidifying his position as a leading figure in 20th-century art. His exhibitions include:
-"Sol LeWitt: Open Structure" at the Museum of Contemporary Art Tokyo (2025-2026), showcasing his wall drawings and structures
-"The Concentric Influences of Sol LeWitt" at RMIT Gallery, Melbourne (2024), exploring his impact on contemporary art
-"Phong H. Bui and Sol LeWitt" at Craig Starr Gallery, New York (2025), highlighting their shared concern with process and community

LeWitt's works are part of esteemed collections, including:
- The Museum of Modern Art (MoMA), New York
- The Tate Gallery, London
- The Centre Pompidou, Paris
- The Art Institute of Chicago
- The National Gallery of Art, Washington D.C.

His art has been recognized for its innovative and influential approach, cementing his legacy as a pioneer of Minimalism and Conceptual Art. See less