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Gene krupa in concert – munich, 1956 original vintage black & white photography by klaus redenbacher this striking photograph captures …
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Gene krupa in concert – munich, 1956 original vintage black & white photography by klaus redenbacher this striking photograph captures the legendary american jazz drummer gene krupa during a live performance in munich around 1956. Known for his electrifying stage presence and revolutionary drumming style, krupa is pictured mid-performance, immersed in his rhythm, dressed in a classic tuxedo, and poised behind his drum kit. His signature intensity and passion for long, virtuosic drum solos are palpable in this image — a vivid moment from the golden era of jazz. Photographer klaus redenbacher masterfully conveys both the energy of the music and the charisma of one of jazz history’s most iconic figures. About klaus redenbacher "a photographer paints with the camera" (augsburger allgemeine, may 7/8, 1970) or "pioneer and father of the modern color portrait" (who's who in photo, film & tv, circa 1980) are just a few examples of the press acclaim that describe klaus redenbacher’s photographic work and career, which spanned nearly five decades. Born in nuremberg in 1935, he began an apprenticeship as a photo lab technician with portrait photographer ludwig harren in nuremberg from 1952 to 1956, before enrolling at the bavarian state institute of photography in munich. His first professional steps followed as a fashion and advertising photographer for the daco publishing house (günther bläse) and the herrmann bruder advertising agency in stuttgart. In 1960, he passed his master craftsman's examination in photography, with a focus on portrait, fashion, industry, and advertising. He then worked as a freelance photojournalist. A photo report on istanbul was published in madame magazine and awarded first prize by the travel magazine merian (1960/61). As part of the university of the seven seas program, redenbacher served as a ship photographer aboard the intercontinental cruise ship ms seven seas in 1963/1964. He also produced advertising and industrial photography for companies such as bayer ag, electrostar, the waldhof-aschaffenburg paper mills, and kodak. Starting in 1969, redenbacher increasingly devoted himself to color portrait photography. In the same year, he took over the management of the ertl photo studio in augsburg. Two years later, in 1971, he opened his own studio at martin-luther-str. 24 in munich-giesing, which remained a prominent address for portrait photography in munich until 2004. Redenbacher achieved his greatest success in portrait photography, benefiting from his background in fashion and advertising as well as from the fact that german print media began introducing color photography in the second half of the 1950s, while traditional photographic portraiture was still primarily done in black and white. Ultimately, redenbacher saw himself as a portrait photographer with an artistic, painterly ambition, whose work was largely informed by a journalistic approach in color. Over the course of his long career, he portrayed prominent figures such as writer and painter jean cocteau, composer carl orff, zoologist konrad lorenz, nobel prize-winning physicist werner heisenberg, and sculptor helmut lederer. For his achievements in portrait photography, he was awarded the euro medal for art and culture in gold by the baden-baden cultural circle (1980) and the gold medal of the accademia italia delle arti e del lavoro, based in salsomaggiore terme, italy (1982). This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution
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- Dimensions
- 9.45ʺW × 11.81ʺH
- Period
- 1950s
- Item Type
- Vintage, Antique or Pre-owned
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use. Very Good — This vintage item has no defects, but it may show slight traces of use. less
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