Normandy Map by Frederick De Wit, 1705

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Normandy map by frederick de wit, 1705, with inset of channel islands

description: this beautifully engraved and hand-colored map, titled … Read more Normandy map by frederick de wit, 1705, with inset of channel islands

description: this beautifully engraved and hand-colored map, titled duché et gouvernement general de normandie, was created by the renowned dutch cartographer frederick de wit and published in amsterdam in 1705. It offers a detailed depiction of the historic province of normandy in northern france, precisely divided into upper and lower normandy, along with its principal bailliages and pays. The map is oriented toward the english channel (la manche) and features a decorative cartouche adorned with allegorical figures, maritime symbols, and the french royal coat of arms. A prominent feature of this map is the inset in the upper center, titled *les isles de garnezy ierzay et aurigny font partie de la normandie mais elles sont sous la domaine des anglois*, which shows the channel islands of guernsey, jersey, and alderney. Although politically aligned with england, these islands are geographically and historically part of the normandy region—a fascinating geopolitical detail emphasized here. This map gains additional historical significance due to its coverage of key world war ii d-day landing sites, including the coastline stretching from cherbourg and utah beach in the west to omaha, gold, juno, and sword beaches further east. Collectors and historians interested in the legacy of the allied invasion of normandy on june 6, 1944, will find this piece especially compelling, as it reveals the broader historical context of a region that played a pivotal role in shaping modern europe. Printed from copper engraving and measuring approximately 49.5 by 59 cm, this map is from one of de wit’s atlases compiled after 1688 and remains a testament to early modern cartographic artistry. The original coloring, while slightly oxidized (as the green pigment has browned over time), remains vivid and adds to its antique character.

condition report: very good overall condition, considering age. Original hand-coloring with expected mild oxidation to green pigments. No tears or major imperfections. Clean margins and strong impression. Condition rating: a.

framing tips: for optimal presentation, we recommend using a uv-protective glass and an archival mount in a neutral or muted gold frame to complement the aged tones. A double mat—ivory with a fine inner line in green or ochre—can enhance visual depth while preserving the antique aesthetic.

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