Jerusalem and Temple Imaginary Map by Blome, 1689

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Imaginary Plan of Jerusalem by Blome after Villalpando, 1689 This impressive antique engraving presents an imaginary plan of Jerusalem by … Read more Imaginary Plan of Jerusalem by Blome after Villalpando, 1689 This impressive antique engraving presents an imaginary plan of Jerusalem by Richard Blome, published in 1689. The engraving is drawn after the influential work of Spanish Jesuit scholar Juan Bautista Villalpando, who in the late 16th century reconstructed the city and Solomon’s Temple based on biblical s and his own interpretations. Blome adapted these designs for an English audience, combining theological scholarship with decorative cartography. At the centre of the sheet is a highly detailed bird’s-eye view of Jerusalem, showcasing an idealised layout of the city’s streets, walls, and gates, with the Temple Mount as the prominent focal point. The plan is arranged with careful geometric divisions, reflecting Villalpando’s vision of a perfectly ordered sacred city rather than an accurate contemporary map. Surrounding the plan are elaborate illustrations enhancing its religious significance. The upper part shows a grand elevation of the Temple of Jerusalem, designed with Renaissance-inspired architectural features. To the left are vignettes of King Solomon and ritual items such as the Altar of Incense and the Ark of the Covenant. On the right, the High Priest is depicted in full ceremonial garments, alongside the Menorah and temple furniture. Along the bottom are further illustrations including the Molten Sea basin and additional temple implements. This engraving was published in London in 1689, a time when there was great interest in biblical scholarship, particularly in visualising sacred sites for educational and devotional purposes. Richard Blome (circa 1635–1705) was a prolific English cartographer and publisher known for his decorative maps and for making European cartographic works accessible in England. Condition: Fair. Overall age toning, minor foxing, a few short tears at the outer edges, a few affecting the engraved area. Creasing and some faint handling marks, typical for 17th-century prints. The impression remains strong. A few repairs with tape on the reverse. Folding line as issued. Framing tips: For an elegant presentation, frame this engraving in a dark walnut or antique gold frame to enhance its historic character. Use a neutral archival mat in off-white or cream to accentuate the intricate linework. See less