Map of Engraving Crete, Candia and Aegean Islands from Homann Heirs, 1749

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This fine 1749 map titled 'Insula Creta hodie Candia' presents an 18th-century cartographic portrait of the island of Crete, then … Read more This fine 1749 map titled 'Insula Creta hodie Candia' presents an 18th-century cartographic portrait of the island of Crete, then known as Candia, published by the esteemed Homann Heirs in Nuremberg. Based on the original work by Johann Baptist Homann, this copperplate engraving exemplifies the clarity, precision, and decorative flourish for which the Homann publishing house was renowned. The sheet measures approximately 56 x 48 cm and is delicately hand-colored in the traditional manner, with subtle outlining of provincial borders in soft pastel tones. The large baroque title cartouche in the upper left remains uncolored, offering a dramatic contrast to the detailed geography. This map provides an impressively detailed depiction of the island’s topography, settlements, and coastline, featuring mountains, fortified towns, and regional divisions. Above Crete, the southern Aegean is richly populated with the Cyclades and other surrounding Greek islands, each carefully labeled and positioned to reflect both strategic significance and navigational interest. The elegant balance between artistic embellishment and geographic functionality is characteristic of Homann maps of the period.

Johann Baptist Homann (1663–1724) established his reputation as the leading German mapmaker of his time. After his death, the firm continued under the imprint "Homann Heirs" and maintained its prominence through the 18th century. This map is a testament to the firm’s enduring legacy, combining informative cartography with refined aesthetic sensibility.

Condition: The map is in very good condition, with original hand color and strong impression. There is a vertical centerfold, as issued, with mild toning around the edges and a few small spots that do not affect the visual appeal. The large decorative cartouche remains uncolored, as originally intended, adding depth and graphic interest to the composition. See less