Louisa Hare, Water Lily at Eardiston Pool, Worcestershire, 1832, Watercolour

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An original 1832 watercolour painting, Louisa Hare, Water Lily Flower at Eardiston Pool, Worcestershire.An outstanding large botanical painting, dating from … Read more An original 1832 watercolour painting, Louisa Hare, Water Lily Flower at Eardiston Pool, Worcestershire.An outstanding large botanical painting, dating from around the 1830s. The sheet is in wonderfully clean and bright condition, due to having been well preserved in a Victorian album. The subject is described as being 'Drawn from a plant out of a pool at Eardiston, Worcestershire in the Autumn of the year 1832'. The Eardiston estate was owned by the Smith family, who held the title of Baronet of Eardiston and were one of the largest landowners in Worcestershire.The artist is believed to be Louisa Hare (1776–1853), who resided at Whittern, a large estate at Lyonshall in Herefordshire. Louisa Hare was sister of Catherine Johnstone née Brome (1775–1833), who commissioned the pictures in our collection Sublime Landscapes: Peak District & North Wales 1832.Interestingly, in 1839, the young naturalist Alfred Russel Wallace OM FRS (1823–1913) lived for a time at Kington, less than three miles from Lyonshall. It was at Kington, inspired by the natural landscape and flora around him, that Wallace began to develop an interest in natural history subjects—especially geology, astronomy, and botany—and he became associated with the newly formed Kington Mechanics' Institution.On buff-coloured paper.All artworks come with a Certificate of Authenticity and—if it is a collection artwork—its accompanying collection text or artist biography. Signed: No. Inscribed: Inscribed lower centre. Dated: Dated lower centre. Height: 33.6cm (13.2″) Width: 26.5cm (10.4″) Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.There are historic adhesive marks and/or paper remnants to the verso, from previous mounting. Presented: Unframed. See less