Louisa Hare, Natural History Flowers Foliage & Butterflies, 1832, Original Watercolours

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An original c.1832 watercolour painting, Louisa Hare, Sheet of Butterfly Studies.An outstanding, large sheet of exquisitely painted butterfly and moth … Read more An original c.1832 watercolour painting, Louisa Hare, Sheet of Butterfly Studies.An outstanding, large sheet of exquisitely painted butterfly and moth studies, dating from around the 1830s. The sheet is in wonderfully clean and bright condition, due to having been well preserved in a Victorian album. The butterflies and moths depicted are largely foreign species (Lemonias stalachtiodes, White-lined Sphinx moth, Heliconius erato Red Postman, Urania brasiliensis, Dismorphia Spio) with only the Emperor moth being native to the British Isles.The artist is believed to be Louisa Hare (1776–1853), who resided at Whittern, a large estate at Lyonshall in Herefordshire. Louisa Hare was sister of Catherine Johnstone née Brome (1775–1833), who commissioned the pictures in our collection Sublime Landscapes: Peak District & North Wales 1832.Interestingly, in 1839, the young naturalist Alfred Russel Wallace OM FRS (1823–1913) lived for a time at Kington, less than three miles from Lyonshall. It was at Kington, inspired by the natural landscape and flora around him, that Wallace began to develop an interest in natural history subjects—especially geology, astronomy, and botany—and he became associated with the newly formed Kington Mechanics' Institution.In watercolour with gum arabic to intensify the colour. On Turnbull Superfine London Board with blindstamp lower right.All artworks come with a Certificate of Authenticity and—if it is a collection artwork—its accompanying collection text or artist biography. Signed: No. Inscribed: No. Height: 37.2cm (14.6″) Width: 27.7cm (10.9″) Condition: In good condition for its age. The picture may have minor imperfections such as slight marks, toning, foxing, creasing or pinholes, commensurate with age. Please see photos for detail.There are historic adhesive marks and/or paper remnants to the verso, from previous mounting. Presented: Unframed. See less