Mid-Century Danish Round Glass Coffee Table by Illum Wikkelsø, 1960s

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The Illum Wikkelsø Round Glass Coffee Table, a mid-century classic, also known as the "T118," is a highly recognizable sculpted … Read more The Illum Wikkelsø Round Glass Coffee Table, a mid-century classic, also known as the "T118," is a highly recognizable sculpted jacks-style table in Danish modern design that showcases the perfect harmony between glass and wood. Illum Wikkelsø, the renowned Danish designer, envisioned this table as a lasting impression in any interior. The thick glass top appears to float effortlessly on the graceful sculpted teak base, creating an eye-catching centerpiece for any living space.

The organic form of the table draws inspiration from the Danish landscape and embraces the mid- century modern aesthetic of blending nature with design.

Crafted from teak, the base of the table features two 'X'-shaped pieces joined together in the middle, creating an intricate pattern and showcasing the beauty of the wood grain. The circular glass top is designed to highlight the sculptural base, ensuring that every angle of this table is visually captivating.

Illum Wikkelsø's artisanship and deep understanding of materials shine through in this coffee table. He belonged to a generation of skilled cabinetmakers and furniture producers, and his commitment to quality is evident in every detail. The Round Glass Coffee Table reflects his clear design aesthetic, embracing both the human figure and the durability required for long-lasting furniture.

Kristian Illum Wikkelsø (1919-1999) trained as a carpenter and continued his studies at the Copenhagen School of Arts and Crafts. He honed his skills working for renowned architects and designers before establishing his own workshop. Wikkelsø collaborated with various Danish manufacturers to bring his designs to life. His furniture, including the Illim Round Glass Coffee Table, exemplifies formal simplicity, biomorphic silhouettes, and a deep appreciation for craftsmanship.

Embrace the elegance of Danish mid-century design with the Illim Round Glass Coffee Table. Its timeless appeal, attention to detail, and exquisite craftsmanship make it a centerpiece that combines functionality with artistic expression. Elevate your living space with this iconic piece that represents the best of Scandinavian modernism.

The work of furniture designer Illum Wikkelsø wholly embodies the spirit of Scandinavian modernism. with their organic forms and wealth of angles inspired by the Danish countryside, his vintage lounge chairs, sofas and other seating pieces offer ergonomic comfort and lasting visual appeal.

Born Kristian Illum Wikkelsø and raised in a town near Faaborg, Denmark, the designer grew up around carpentry and cabinetmaking. He apprenticed with a cabinetmaker in his teens and enrolled in classes at the Technical Society School in Copenhagen as well as the Danish School of Arts & Crafts. At the latter, Wikkelsø studied under Kaare Klint, an architect and designer widely recognized as the father of modern Danish furniture.

After completing his studies, Wikkelsø went on to work with famed Danish architect and furniture maker Jacob Kjær. After a time with Kjær, he moved on. He went to work for designer and architect Orla Mølgaard-Nielsen at Hvidt & Mølgaard, a firm established by Mølgaard-Nielsen — Wikkelsø’s former instructor at the Technical Society School — and Peter Hvidt that yielded more than 250 designs and lasted over 30 years.

In 1954, Wikkelsø opened his own design studio in Aarhus, Denmark. Throughout the 1950s and 1960s, he made quite a name for himself, with designs that were new and innovative to the industry at the time. He created furniture for Holger Christiansen and secured commissions from the Danish government. While he’s likely best known today for his inviting teak and leather lounge chairs or slender rosewood dining chairs, some of Wikkelsø’s 1960s-era lounge chairs merged Danish craftsmanship and Pop art with their unconventionally shaped chrome frames and vibrantly colored upholstery. This piece has an attribution mark,
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