Details
Description
Introducing an exquisite piece of art from the talented Josef Mansfeld (Austria, 1819-1894).
This oil on panel still-life painting transports …
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Introducing an exquisite piece of art from the talented Josef Mansfeld (Austria, 1819-1894).
This oil on panel still-life painting transports you to a bygone world of beauty and elegance showcasing among other objects a porcelain tea service with its magnificent tea kettle pot on a brass stand accompanied by two delicate cups and saucers. Other still life objects are a stein which finds its place resting on a captivating book, while a bottle of port wine, half-full clear etched glass, a grilled fish on a plate, and shucked oysters (one even boasting a precious pearl) complete this enticing 19th Century Austrian display. Note the Ottoman Turkmen on the Beer Stein too.
Here, you will also find a spoon and butter knife, a porcelain lidded pitcher, and a Times newspaper, all harmoniously placed on an elaborately embroidered tablecloth. Immerse yourself within this Viennese interior setting against a backdrop of vibrant red drapery with an obscure oval portrait painting in its background. It's a feast for the eyes too.
This remarkable piece is authentically signed and dated by the artist himself, 'Josef Mansfeld 1888'. Let this oil painting be cherished as a true work of art in your collection.
Measurements: Panel is 9.5in x 12in with Frame 14.5in x 17in.
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- Dimensions
- 14.5ʺW × 3ʺD × 17ʺH
- Styles
- Realism
- Art Subjects
- Still Life
- Interiors
- Frame Type
- Framed
- Period
- 19th Century
- Country of Origin
- Austria
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Oil Paint
- Oil Pastel
- Pearl
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Wine
- Condition Notes
- Good condition for being slightly more than 120 years old. There's an approx 4" interrupted vertical line on the far … moreGood condition for being slightly more than 120 years old. There's an approx 4" interrupted vertical line on the far left where matting may have rubbed on the painting at some point. less
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